

   ,,NEW ,,INTERNATIONAL ,,MANUAL
                ,,OF
    ,,BRAILLE ,,MUSIC ,,NOTATION

            333333333333

   ,BRAILLE ,MUSIC ,SUBCOMMITTEE
        ,WORLD ,BLIND ,UNION

            ,COMPILED BY
          ,BETTYE ,KROLICK



      ,IN #C ,BRAILLE ,VOLUMES

            ,VOLUME ,,III






      ,BRAILLE ,PRESS ,Z@URICH
               #AIIF

,,ISBN #IJ-IJJIBFI-B

,AN INK PRINT VERSION OF THIS BOOK
IS AVAILABLE FROM
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,BRAILLE PRINTED BY
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    ,,CONTENTS OF ,,VOLUME ,,III

,TABLES OF ,SIGNS '''''''''''''' #A
,GENERAL ,INDEX '''''''''''''''' #DA




















































         ,TABLES OF ,SIGNS
        ,CONTENTS OF ,TABLES

,TABLE #A4 ,BASIC ,SIGNS ''''''' #D
  ,A4 ,NOTES AND ,RESTS '''''''' #D
  ,B4 ,OCTAVE ,MARKS ''''''''''' #E
,TABLE #B4 ,CLEFS '''''''''''''' #F
,TABLE #C4 ,ACCIDENTALS1 ,KEY
      AND ,TIME ,SIGNATURES '''' #H
  ,A4 ,ACCIDENTALS ''''''''''''' #H
  ,B4 ,KEY AND ,TIME ,SIGNATURES #H
,TABLE #D4 ,RHYTHMIC ,GROUPS ''' #AJ
,TABLE #E4 ,CHORDS ''''''''''''' #AA
  ,A4 ,INTERVALS ''''''''''''''' #AA
  ,B4 ,IN-ACCORDS '''''''''''''' #AA
  ,C4 ,MOVING ,NOTES ''''''''''' #AA
  ,D4 ,STEM ,SIGNS ''''''''''''' #AB
,TABLE #F4 ,SLURS AND ,TIES '''' #AC
  ,A4 ,SLURS ''''''''''''''''''' #AC
  ,B4 ,TIES '''''''''''''''''''' #AD
  ,C4 ,MORE ,SLURS AND ,TIES
      FOR ,USE IN ,SECTION-BY-
      ,SECTION ,FORMATS '''''''' #AD
,TABLE #G4 ,TREMOLOS ''''''''''' #AF
  ,A4 ,REPETITION '''''''''''''' #AF
  ,B4 ,ALTERNATION ''''''''''''' #AF

        ,CONTENTS OF ,TABLES      #A
,TABLE #H4 ,FINGERING '''''''''' #AG
  ,A4 ,KEYBOARD '''''''''''''''' #AG
  ,B4 ,STRING ,INSTRUMENTS ''''' #AG
    #A4 ,LEFT ,HAND '''''''''''' #AG
    #B4 ,RIGHT ,HAND ''''''''''' #AH
,TABLE #I4 ,BAR ,LINES AND
      ,REPEATS ''''''''''''''''' #AI
  ,A4 ,BAR ,LINES '''''''''''''' #AI
  ,B4 ,PRINT ,REPEATS '''''''''' #AI
  ,C4 ,BRAILLE ,REPEATS '''''''' #AI
  ,D4 ,VARIANTS '''''''''''''''' #BA
,TABLE #AJ4 ,NUANCES ''''''''''' #BB
,TABLE #AA4 ,ORNAMENTS ''''''''' #BD
,TABLE #AB4 ,THEORY '''''''''''' #BF
  ,A4 ,CHORD ,SYMBOLS '''''''''' #BF
  ,B4 ,FIGURED ,BASS AND
      ,HARMONIC ,ANALYSIS '''''' #BF
  ,C4 ,BRACKETS '''''''''''''''' #BG
,TABLE #AC4 ,MODERN ,NOTATION '' #BH
  ,A4 ,NOTES WITH ,UNUSUAL
      ,SHAPES '''''''''''''''''' #BH
  ,B4 ,TONE ,CLUSTERS '''''''''' #BH
  ,C4 8,FAN-SHAPED0 ,RHYTHMIC
      ,GROUPS '''''''''''''''''' #BI
,TABLE #AD4 ,GENERAL
      ,ORGANIZATION '''''''''''' #CJ
,TABLE #AE4 ,KEYBOARD ,MUSIC ''' #CA
  ,A4 ,PIANO ''''''''''''''''''' #CA
  ,B4 ,ORGAN ''''''''''''''''''' #CA
,TABLE #AF4 ,VOCAL ,MUSIC '''''' #CC
  ,A4 ,PREFIXES FOR ,PARTS ''''' #CC
  ,B4 ,SLURS ''''''''''''''''''' #CC
  ,C4 ,BREATH ,SIGNS ''''''''''' #CD
  ,D4 ,TEXT ,SIGNS ''''''''''''' #CD
,TABLE #AG4 ,STRING ,INSTRUMENTS #CE
  ,A4 ,STRING ,SIGNS ''''''''''' #CE
  ,B4 ,POSITIONS OR ,FRETS ''''' #CE
  ,C4 ,BARR@ES ''''''''''''''''' #CF
  ,D4 ,OTHER ,SIGNS '''''''''''' #CF
,TABLE #AH4 ,WINDS AND
      ,PERCUSSION '''''''''''''' #CG
  ,A4 ,WIND ,INSTRUMENTS ''''''' #CG
  ,B4 ,PERCUSSION '''''''''''''' #CG
,TABLE #AI4 ,ACCORDION ''''''''' #CH
  ,A4 ,GENERAL ,SIGNS '''''''''' #CH
  ,B4 ,REGISTRATION ,SIGNS ''''' #CI









        ,CONTENTS OF ,TABLES      #C
             ,,TABLE #A
          ,,BASIC ,,SIGNS

       ,A4 ,NOTES AND ,RESTS
  ,THROUGHOUT THIS WORK3
WHOLE NOTE OR REST EQUALS SEMIBREVE
HALF NOTE OR REST EQUALS MINIM
QUARTER NOTE OR REST EQUALS CROTCHET
#HTH NOTE OR REST EQUALS QUAVER
#AFTH NOTE OR REST EQUALS SEMI-
QUAVER 7ETC47

C D E F G A B REST
3333333333333333333333333333333333
Y Z & = ( ! ) M ,WHOLES OR #AFTHS
N O P Q R S T U ,HALVES OR #CBNDS
? : $ ] \ [ W V ,QUARTERS OR #FDTHS
D E F G H I J X #HTHS OR #ABHTHS

=;<1= ,PREFIX FOR #BEFTH NOTES1
  I4E41 ;<1YZ&= 7ETC47
=<1= ,DISTINCTION OF VALUES
=<1= ,SEPARATION OF RHYTHMIC GROUPS
=^<1= ,LARGER VALUES2 #HTHS AND
  LARGER
=,<1= ,SMALLER VALUES2 #AFTHS AND
  SMALLER
=Y^CY= ,BREVIS1 I4E41 Z^CZ 7ETC47
=M^CM= ,BREVIS REST
=Y^C^CY= ,LONGA1 I4E41 Y^C^CY Z^C^CZ
  7ETC47
=M^C^CM= ,LONGA REST
=;5= ,NOTES PRINTED IN LARGE TYPE
=,5= ,NOTES PRINTED IN SMALL TYPE
  7,FOR MODERN NOTATION1 SEE ,TABLE
  #AC ,A47

         ,B4 ,OCTAVE ,MARKS
=@Y= ,FIRST OCTAVE ,C
=^Y= ,SECOND OCTAVE ,C
=_Y= ,THIRD OCTAVE ,C
="Y= ,FOURTH OCTAVE ,C
=.Y= ,FIFTH OCTAVE ,C
=;Y= ,SIXTH OCTAVE ,C
=,Y= ,SEVENTH OCTAVE ,C
=@@!= ,A BELOW FIRST OCTAVE
=,,Y= ,C ABOVE SEVENTH OCTAVE








             ,TABLE #A            #E
             ,,TABLE #B
              ,,CLEFS

=>/L= ,G CLEF2 TREBLE
=>/K= ,G CLEF IN THE LEFT HAND PART
=>#L= ,F CLEF2 BASS
=>#K= ,F CLEF IN THE RIGHT HAND PART
=>+L= ,C CLEF2 ALTO CLEF FOR VIOLA
  OR HIGH CLEF FOR BASS
=>/L#H= ,G CLEF WITH SMALL #H ABOVE
=>/L#8= ,G CLEF WITH SMALL #H BELOW

  ,TO SHOW THE UNUSUAL PLACEMENT OF
A CLEF AN OCTAVE MARK IS PLACED
BEFORE THE FINAL CHARACTER OF THE
CLEF SIGN4 ,EXAMPLES3
=>/@L= ,G CLEF ON FIRST LINE2
  ,FRENCH VIOLIN CLEF
=>#_L= ,F CLEF ON THIRD LINE2 TENOR
  CLEF
=>#.L= ,F CLEF ON FIFTH LINE2 SUB
  BASS CLEF
=>+@L= ,C CLEF ON FIRST LINE2
  SOPRANO OR DESCANT CLEF
=>+^L= ,C CLEF ON SECOND LINE2
  MEZZO-SOPRANO CLEF
=>+_L= ,C CLEF ON THIRD LINE2 ALTO
  CLEF FOR VIOLA OR HIGH CLEF FOR
  BASS
=>+"L= ,C CLEF ON FOURTH LINE2 TENOR
  CLEF
=>+.L= ,C CLEF ON FIFTH LINE2
  BARITONE CLEF






















             ,TABLE #B            #G
             ,,TABLE #C
      ,,ACCIDENTALS1 ,,KEY AND
        ,,TIME ,,SIGNATURES

          ,A4 ,ACCIDENTALS
=%= ,SHARP
=%%= ,DOUBLE SHARP
=<= ,FLAT
=<<= ,DOUBLE FLAT
=*= ,NATURAL
=,%= =,<= ,ACCIDENTAL ABOVE OR BELOW
  THE NOTE
=@%= =@<= #A/D STEP ALTERATION OF
  PITCH
=_%= =_<= #C/D STEP ALTERATION OF
  PITCH

   ,B4 ,KEY AND ,TIME ,SIGNATURES
=.C= ,C OR 8COMMON0 TIME
=_C= ,BARRED ,C OR 8CUT0 TIME
=#D4= =#AB8= ,TIME ,SIGNATURES WITH
  TWO NUMBERS
=#D= #D 7OR OTHER NUMBER7 ,TIME
  SIGNATURE WITH SINGLE NUMBER
=#D,'?= ,TIME SIGNATURE3 #D OVER
  QUARTER NOTE
=#C,'D= ,TIME SIGNATURE3 #C OVER
 #HTH NOTE
=%%= =<<<= =#D%= ,KEY SIGNATURES
  ,EXAMPLES3
  7THE SPACE BETWEEN IS MANDATORY IN
SOME COUNTRIES7
%% #F8 ,TWO SHARPS1 SIX-EIGHT TIME
<<<#C8 ,THREE FLATS1 THREE-EIGHT
  TIME
#D<#AB8 ,FOUR FLATS1 TWELVE-EIGHT
  TIME
#E%.C ,FIVE SHARPS1 ,COMMON TIME

















             ,TABLE #C            #I
             ,,TABLE #D
        ,,RHYTHMIC ,,GROUPS

=_2'= ,GROUP OF TWO
=2= ,TRIPLET
=_3'= ,GROUP OF THREE2 TRIPLET
=_5'= ,GROUP OF FIVE
=_6'= ,GROUP OF SIX
=_10'= ,GROUP OF TEN 7ETC47

  7,FOR 8FAN-SHAPED0 RHYTHMIC
GROUPS1 SEE ,TABLE #AC1 ,MODERN
,NOTATION47















             ,,TABLE #E
              ,,CHORDS

           ,A4 ,INTERVALS
=/= ,SECOND
=+= ,THIRD
=#= ,FOURTH
=9= ,FIFTH
=0= ,SIXTH
=3= ,SEVENTH
=-= ,OCTAVE
"?"- ,EX4 OF ,UNISON
_?"+ ,EX4 OF ,TENTH 7INTERVAL LARGER
  THAN OCTAVE7

  7,FOR TONE CLUSTERS1 SEE ,TABLE
#AC ,B7

          ,B4 ,IN-ACCORDS
=<>= ,FULL-MEASURE IN-ACCORD
="1= ,PART-MEASURE IN-ACCORD
=.K= ,MEASURE DIVISION FOR PART-
  MEASURE IN-ACCORD

         ,C4 ,MOVING ,NOTES
=,= ,MOVING-NOTE SIGN FOR ONE
  INTERVAL
            ,TABLES #D-E         #AA
=;= ,MOVING-NOTE SIGN FOR TWO OR
  MORE INTERVALS

          ,D4 ,STEM ,SIGNS
=_'= ,WHOLE 8STEM0
=_K= ,HALF STEM
=_A= ,QUARTER STEM
=_B= #HTH STEM
=_L= #AFTH STEM
=_1= #CBND STEM


















             ,,TABLE #F
         ,,SLURS AND ,,TIES

             ,A4 ,SLURS
=C= ,SLUR BETWEEN TWO NOTES OR
  CHORDS
=CC C= ,PHRASING SLUR OVER MORE THAN
  FOUR NOTES OR CHORDS
=;B ^2= ,PHRASING SLUR OVER MORE
  THAN FOUR NOTES OR CHORDS
=;B^2= ,BEGINNING AND END OF
  PHRASING SLUR ON ONE NOTE
=,C=  ,BEGINNING AND END OF SHORT
  SLUR ON ONE NOTE
=_C= ,SLUR FROM ONE IN-ACCORD PART
  TO ANOTHER
="C= ,SLUR FROM ONE STAFF TO ANOTHER
=@L= ,STRAIGHT LINE BETWEEN STAVES
  FOR VOICE LEADING
=.@L= ,END OF STRAIGHT LINE
="LC= ,SLUR ADDED BY AN EDITOR IN
  PRINT
=;C= ,SLUR THAT DOES NOT END ON A
  NOTE
=;C= ,SLUR FOR SHORT APPOGGIATURA2
  8GRACE-NOTE SLUR0 IN SOME
  COUNTRIES
             ,TABLE #F           #AC
=.;C= ,SLUR THAT DOES NOT COME FROM
  A NOTE
=@2= ,HALF PHRASE
=@A= ,GLISSANDO

             ,B4 ,TIES
=@C= ,SINGLE-NOTE TIE
=.C= ,CHORD TIE 7TWO OR MORE VOICES
  ARE TIED7
=^C= ,ACCUMULATING ARPEGGIO

     ,C4 ,MORE ,SLURS AND ,TIES
            FOR ,USE IN
    ,SECTION-BY-SECTION ,FORMATS
=._C= ,SLUR FROM ANOTHER IN-ACCORD
  PART
=."C= ,SLUR FROM ANOTHER STAFF
=_@C= ,SINGLE-NOTE TIE BETWEEN IN-
  ACCORD PARTS
="@C= ,SINGLE-NOTE TIE BETWEEN
  STAVES
=_.C= ,CHORD TIE BETWEEN IN-ACCORD
  PARTS
=".C= ,CHORD TIE BETWEEN STAVES




  ,TO CLARIFY THAT THE SIGN IS
8FROM0
=._@C= ,SINGLE-NOTE TIE FROM ANOTHER
  IN-ACCORD
=."@C= ,SINGLE-NOTE TIE FROM ANOTHER
  STAFF
=._.C= ,CHORD TIE FROM ANOTHER IN-
  ACCORD
=.".C= ,CHORD TIE FROM ANOTHER STAFF


















           ,TABLE #F CONT4       #AE
             ,,TABLE #G
             ,,TREMOLOS

          ,A4 ,REPETITION
=^A= ,IN QUARTERS
=^B= ,IN #HTHS
=^L= ,IN #AFTHS
=^1= ,IN #CBNDS
=^K= ,IN #FDTHS
=^'= ,IN #ABHTHS

          ,B4 ,ALTERNATION
=.B= ,IN #HTHS
=.L= ,IN #AFTHS
=.1= ,IN #CBNDS
=.A= ,IN #FDTHS
=.'= ,IN #ABHTHS











             ,,TABLE #H
            ,,FINGERING

     ,A4 ,KEYBOARD ,INSTRUMENTS
=A= #A ,FIRST FINGER
=B= #B ,SECOND FINGER
=L= #C ,THIRD FINGER
=1= #D ,FOURTH FINGER
=K= #E ,FIFTH FINGER
=C= ,BETWEEN FINGERING1 CHANGE OF
  FINGERS ON SAME NOTE
=,= ,OMISSION OF FIRST FINGERING
  WHEN #B SETS ARE GIVEN
='= ,OMISSION OF SECOND FINGERING
  WHEN #B SETS ARE GIVEN

      ,B4 ,STRING ,INSTRUMENTS
          #A4 ,LEFT ,HAND
=*K= ,THUMB
=A= #A ,FIRST FINGER
=B= #B ,SECOND FINGER
=L= #C ,THIRD FINGER
=1= #D ,FOURTH FINGER
=K= #J ,OPEN STRING
=C= ,BETWEEN FINGERING1 CHANGE OF
  FINGERS ON SAME NOTE

            ,TABLES #G-H         #AG
          #B4 ,RIGHT ,HAND
=P= ,THUMB .PULGAR
=I= ,INDEX FINGER .INDICE
=M= ,MIDDLE FINGER .MAYOR
=A= ,RING FINGER .ANULAR
=C= ,OTHER SINGLE LETTERS2 BRAILLE
  AS PRINTED
=X= ,LITTLE FINGER .CHIQUITO IF CH
  IS PRINTED



















             ,,TABLE #I
   ,,BAR ,,LINES ,,AND ,,REPEATS

          ,A4 ,BAR ,LINES
7SPACE7 ,BAR LINE
=L= ,BRAILLE BAR LINE FOR SPECIAL
  USES
=K= ,DOTTED BAR LINE
=<K= ,DOUBLE BAR AT END OF
  COMPOSITION
=<K'= ,DOUBLE BAR AT END OF BAR OR
  SECTION

        ,B4 ,PRINT ,REPEATS
=<7= ,DOUBLE BAR FOLLOWED BY DOTS2
  BEGINNING OF REPEAT
=<2= ,DOUBLE BAR WITH DOTS
  PRECEDING2 END OF REPEAT
=#1= =#2= ,FIRST1 SECOND ENDING
  7VOLTA7
=+= ,PRINT SEGNO SIGN
=+L= ,PRINT CODA SIGN

       ,C4 ,BRAILLE ,REPEATS
=7= ,FULL- OR PART-MEASURE REPEAT
='= ,SEPARATION OF REPEATS WITH
  DIFFERENT VALUES1 I4E41 =7'7=
             ,TABLE #I           #AI
=.7= ,REPEAT BEGINNING IN FIFTH 7OR
  OTHER NUMBER7 OCTAVE
=7#D= ,REPEAT FOUR 7OR OTHER NUMBER7
  TIMES
=*7= ,BEGINNING OF REPEAT IN CADENZA
  OR UNMEASURED MUSIC
=#H#F= ,COUNT BACK AND REPEAT
  MEASURES
=#D#D= ,REPEAT THE LAST FOUR 7OR
  OTHER NUMBER7 MEASURES
=#D= ,REPEAT THE LAST FOUR 7OR OTHER
  NUMBER7 MEASURES
=#9-16= ,REPEAT SPECIFIC MEASURES
=#B9-16= ,REPEAT SPECIFIC MEASURES
  FROM A NUMBERED SECTION 7I4E41
  REPEAT MEASURES #I-AF FROM
  ,SECTION #B7
=+A= ,,BRAILLE SEGNO ,A 7OR ,B1
  ETC47
="+A= ,REPEAT BACK TO SEGNO ,A 7OR
  ,B1 ETC47
=*= ,END OF SEGNO MUSIC TO BE
  REPEATED
=+L= ,CODA SIGN
=-= ,PARALLEL MOTION
=-= ,SEQUENCE3 ,CONTINUE THE PATTERN


           ,D4 ,VARIANTS
=5= ,VARIANT OF MEASURE 7SIGN
  PRECEDES AND FOLLOWS7
=5#B= ,VARIANT OF TWO 7OR OTHER
  NUMBER7 MEASURES
=#B5= ,SECOND 7OR OTHER NUMBER7
  VARIANT OF MEASURE
=#A5#C= ,NUMBERED VARIANT1 FOLLOWED
  BY NUMBER OF MEASURES 7I4E41
  ,VARIANT #A1 FOR #C MEASURES7

















           ,TABLE #I CONT4       #BA
            ,,TABLE #AJ
             ,,NUANCES

=8= ,STACCATO 7DOT7
=,8= ,STACCATISSIMO 7PEAR-SHAPED
  DOT7
="8= ,MEZZO-STACCATO 7DOT AND LINE7
=_8= ,AGOGIC ACCENT 7SHORT LINE7
=.8= ,ACCENT 7HORIZONTAL ,V POINTING
  TO THE RIGHT7
=@8= ,REVERSED ACCENT 7HORIZONTAL ,V
  POINTING TO THE LEFT7
=;8= ,MARTELLATO 7THICK ,V7
=>1= ,COMMA1 HALF BREATH
=,/= ,FULL BREAK OR BREATH
=<L= ,FERMATA
=_<L= ,FERMATA ON BAR LINE
="<L= ,FERMATA BETWEEN NOTES
=;<L= ,FERMATA WITH SQUARE SHAPE
=^<L= ,FERMATA WITH TENT SHAPE
=>C= ,DIVERGING LINES 7CRESCENDO7
=>3= ,END OF DIVERGING LINES
=>D= ,CONVERGING LINES 7DECRESCENDO7
=>4= ,END OF CONVERGING LINES
=*'= ,SWELL1 DIVERGING AND
  CONVERGING LINES ON ONE NOTE
=''= ,BEGINNING OF FIRST LINE OF
  CONTINUATION
=>'= ,END OF FIRST LINE OF
  CONTINUATION
=--= ,BEGINNING OF SECOND LINE OF
  CONTINUATION
=>-= ,END OF SECOND LINE OF
  CONTINUATION
=>= ,WORD SIGN2 LITERARY MATERIAL




















             ,TABLE #AJ          #BC
            ,,TABLE #AA
            ,,ORNAMENTS

=6= ,TRILL ,7,IT4 TRILLO2 ,F4
  CADENCE1 TREMBLEMENT2 ,G4
  ,TRILLER2 ,SP4 TRINO7'
="5= ,APPOGGIATURA ,7,IT47' ,7,F4
  PORT DE VOIX2 ,G4 ,VORSCHLAG2 ,SP4
  APOYADURA7'
=5= ,SHORT APPOGGIATURA 7FORMERLY3
  GRACE NOTE7
=4= ,TURN ,7,IT4 FIORITURA2 ,F4
  DOUBL@E1 CADENCE1 DOUBLE CADENCE2
  ,G4 ,DOPPELSCHLAG2 ,SP4 GRUPITO7'2
  PLACED BETWEEN NOTES4
=,4= ,TURN ABOVE OR BELOW A NOTE
=4L= ,INVERTED TURN2 PLACED BETWEEN
  NOTES
=,4L= ,INVERTED TURN ABOVE OR BELOW
  A NOTE
=,= ,BEFORE AN ACCIDENTAL1 INFLECTED
  LOWER NOTE OF ORNAMENT I4E41 ,%4
  ,*4
="6= ,SHORT TRILL1 ,7SHORT SHAKE1
  PRALLTRILLER1 INVERTED1 I4E41
  UPPER1 MORDENT7'
=;6= ,EXTENDED SHORT TRILL1 SHAKE OR
  PRALLTRILLER
="6L= ,MORDENT ,7,IT4 MORDENTE2 ,F4
  MORDANT 7PINC@E1 PINCEMENT72 ,SP4
  MORDIENTE7'
=;6L= ,EXTENDED MORDENT
=>K= ,ARPEGGIO UP
=">K= ,UPWARD ARPEGGIO THROUGH TWO
  OR MORE STAVES
=>KK= ,ARPEGGIO DOWN
=">KK= ,DOWNWARD ARPEGGIO THROUGH
  TWO OR MORE STAVES
=@8888= ,BEBUNG
















             ,TABLE #AA          #BE
            ,,TABLE #AB
              ,,THEORY

        ,A4 ,CHORD ,SYMBOLS
=3>= ,PREFIX FOR A CHORD SYMBOL PART
=4= ,SMALL CIRCLE
=4'= ,SMALL CIRCLE BISECTED BY LINE
=0= ,SMALL TRIANGLE
=0'= ,SMALL TRIANGLE BISECTED BY
  LINE
=.#G= ,ITALICIZED #G FOR A
  SPECIALIZED SEVENTH CHORD

  ,USE NATIONAL SIGNS OF COUNTRY FOR
PLUS1 MINUS AND OBLIQUE STROKE

       ,B4 ,FIGURED ,BASS AND
        ,HARMONIC ,ANALYSIS
=;>= ,PREFIX FOR A FIGURED BASS PART
=#6= =#35= ,NUMBERS
=#%K= =#<K= ,ISOLATED ACCIDENTALS
=#'= ,OMITTED FIGURE IN A STRING OF
  FIGURES
=#A= ,A LINE OF CONTINUATION
=#AA= ,TWO LINES OF CONTINUATION
=#;6= ,FIGURE 7ANY NUMBER7 THAT IS
  CROSSED IN PRINT
=#/= ,OBLIQUE STROKE
=-= ,SEPARATION OF SIGNS
=.#7= ,ITALICIZED #G FOR A
  SPECIALIZED SEVENTH CHORD

  ,USE NATIONAL SIGNS OF COUNTRY FOR
UPPER- AND LOWER-CASE LETTERS AS
WELL AS UPPER- AND LOWER-CASE ROMAN
NUMERALS

           ,C4 ,BRACKETS
=,' ,'= ,MUSIC PARENTHESES 7ROUND
  BRACKETS7
="' ,1= ,VERTICAL BRACKETS
  SURROUNDING NOTES OR FEATURES
=;1 "2= ,SQUARE BRACKET ABOVE THE
  STAFF
=;1 "'= ,SQUARE BRACKET ABOVE STAFF
  WITH UNCLEAR ENDING
=;11 ""2= ,DOTTED SQUARE BRACKET
  ABOVE THE STAFF
=;' ,2= ,SQUARE BRACKET BELOW THE
  STAFF
=;' ,1= ,SQUARE BRACKET BELOW STAFF
  WITH UNCLEAR ENDING
=;'' ,,2= ,DOTTED SQUARE BRACKET
  BELOW THE STAFF

             ,TABLE #AB          #BG
            ,,TABLE #AC
        ,,MODERN ,,NOTATION
 7,TO BE USED ONLY IN MODERN MUSIC7

  ,A4 ,NOTES WITH ,UNUSUAL ,SHAPE
=5A= ,BLACK NOTE HEAD WITH NO STEM
=5B= ,X-SHAPED NOTE HEAD
=5K= ,VERTICAL STEMS THAT DESIGNATE
  QUASI-NOTES
=5L= ,DIAMOND OR TRIANGLE-SHAPED
  NOTE HEAD
=5'= ,END OF A SLANTING LINE TO
  DESIGNATE APPROXIMATE PITCH
  7QUASI-NOTE7

  ,WHEN NO SPECIFIC NOTE VALUE
APPEARS1 THE VALUE OF AN #HTH NOTE
IS USED1 I4E41 5A.D

        ,B4 ,TONE ,CLUSTERS
  7PLACED BETWEEN A NOTE AND ITS
INTERVAL SIGN7
=^*B= ,TONE CLUSTER WITH NATURAL
  SIGN
=^<B= ,TONE CLUSTER WITH FLAT SIGN
=^%B= ,TONE CLUSTER WITH SHARP SIGN
=^5B= ,TONE CLUSTER WITH NO
  ACCIDENTALS SPECIFIED
=>/L.Q^5B-= I4E41 ,PLAY EVERY NOTE
  IN THIS OCTAVE AS A CHORD

    ,C4 8,FAN-SHAPED0 ,RHYTHMIC
              ,GROUPS
=^<1,<1= ,ACCELERANDO WITHIN
  RHYTHMIC GROUP
=,<1^<1= ,RITARDANDO WITHIN RHYTHMIC
  GROUP
=,<1,<1= ,STEADY RHYTHM
=;K= ,END OF RHYTHMIC GROUP AS SHOWN
  IN PRINT















             ,TABLE #AC          #BI
            ,,TABLE #AD
      ,,GENERAL ,,ORGANIZATION

=,'= ,PREFIX FOR MUSIC2 MUSIC
  PARENTHESES
=;2= ,PREFIX FOR LITERARY MATERIAL
  SUCH AS VOCAL TEXT1 INSTRUCTIONS1
  OR OTHER LITERARY INFORMATION
=;2= ,COINCIDENCE OF NOTES IN MORE
  THAN ONE PART
="= ,HYPHEN FOR UNFINISHED MEASURE
="= ,PREFIX FOR ADDED SIGNS IN
  BRAILLE
="3= ,PREFIX FOR PRINT PAGINATION OR
  PRINT PAGE TURN
="L= ,PREFIX FOR EDITORIAL MARKINGS
=>59= ,MUSIC ASTERISK
=7= ,EQUALS SIGN IN A METRONOME
  MARKING









            ,,TABLE #AE
         ,,KEYBOARD ,,MUSIC

             ,A4 ,PIANO
=.>= ,RIGHT HAND PART
=_>= ,LEFT HAND PART
=">= ,SOLO PART TO BE ACCOMPANIED
=.>>= ,RIGHT HAND PART WHEN
  INTERVALS READ UP
=_>>= ,LEFT HAND PART WHEN INTERVALS
  READ DOWN
=<C= ,PED4 OR OTHER INDICATION FOR
  PEDAL DOWN
=*C= ,STAR OR OTHER INDICATION FOR
  PEDAL UP
=*<C= STAR AND ,PED4 UNDER ONE NOTE
="<C= ,HALF-PEDAL
="*C= ,PEDAL UP AS SOON AS CHORD IS
  STRUCK

             ,B4 ,ORGAN
=^>= ,ORGAN PEDAL PART
=^>_>= ,START OF PASSAGE WHEN PEDAL
  AND LEFT HAND PARTS ARE WRITTEN ON
  SAME PRINT STAFF
=@>= ,RETURN TO LEFT HAND ONLY2
  PEDAL DROPS OUT
            ,TABLES #AD-AE       #CA
=A= ,LEFT TOE 7WEDGE BENEATH A NOTE7
=B= ,LEFT HEEL 7U OR O BENEATH A
  NOTE7
=L= ,RIGHT TOE 7WEDGE ABOVE A NOTE7
=1= ,RIGHT HEEL 7U OR O ABOVE A
  NOTE7
=C= ,BETWEEN FOOT SIGNS1 CHANGE OF
  PEDALLING ON ONE NOTE
=K= ,CHANGE WITHOUT INDICATION OF
  TOE OR HEEL
=@K= ,FOOT CROSSES IN FRONT 7DASH
  ABOVE TOE OR HEEL SIGN7
=,K= ,FOOT CROSSES BEHIND 7DASH
  BENEATH TOE OR HEEL SIGN7














            ,,TABLE #AF
          ,,VOCAL ,,MUSIC

      ,A4 ,PREFIXES FOR ,PARTS
=;2= ,VOCAL TEXT
=>S'= ,SOPRANO
=>A'= ,ALTO
=>T'= ,TENOR
=>B'= ,BASS
=>S1'= ,FIRST ,SOPRANO 7OR OTHER
  VOICE PART7
=>S2'= ,SECOND ,SOPRANO 7OR OTHER
  VOICE PART7

             ,B4 ,SLURS
=C= ,SYLLABIC SLUR
=CA= =CB= ,SYLLABIC SLUR FOR FIRST
  AND SECOND LANGUAGE
=CL= =C1= ,SYLLABIC SLUR FOR THIRD
  AND FOURTH LANGUAGE
=_C= ,SYLLABIC SLUR VARIATION FOR
  SINGLE VERSES IN ONE LANGUAGE
=;B ^2= ,BEGINNING AND END OF PHRASE
=B= ,TWO SYLLABLES SUNG ON ONE NOTE
=L= ,THREE SYLLABLES SUNG ON ONE
  NOTE

             ,TABLE #AF          #CC
         ,C4 ,BREATH ,SIGNS
=>1= ,HALF BREATH
=,/= ,FULL BREATH

          ,D4 ,TEXT ,SIGNS
=8 0= ,MERGED TEXT SUNG ON ONE NOTE
=9= ,REPEAT TEXT ONCE1 I4E41 9,AMEN9
=99= ,REPEAT TEXT TWICE
=#C9= OR =9#C= ,REPEAT TEXT #C 7OR
  OTHER NUMBER7 TIMES


















            ,,TABLE #AG
       ,,STRING ,,INSTRUMENTS

         ,A4 ,STRING ,SIGNS
=%A= #AST STRING
=%B= #BND STRING
=%L= #CRD STRING
=%1= #DTH STRING
=%K= #ETH STRING
=%2= #FTH STRING
=%'= #GTH STRING

      ,B4 ,POSITIONS OR ,FRETS
=>>= #AST POSITION/FRET
=>/= #BND POSITION/FRET
=>+= #CRD POSITION/FRET
=>#= #DTH POSITION/FRET
=>9= #ETH POSITION/FRET
=>0= #FTH POSITION/FRET
=,>3= #GTH POSITION/FRET
=>-= #HTH POSITION/FRET
=>-/= #ITH POSITION/FRET
=>-+= #AJTH POSITION/FRET
=>-#= #AATH POSITION/FRET
=>-9= #ABTH POSITION/FRET
=>>/= ,HALF POSITION

             ,TABLE #AG          #CE
=@A= ,GLISSANDO OR SHIFT TO A NEW
  POSITION
=@A'= ,BEGINNING OF SHIFT LINE
=,@A= ,END OF SHIFT LINE

            ,C4 ,BARR@ES
=_= ,GRAND OR FULL BARR@E
=^= ,HALF OR PARTIAL BARR@E
=@= ,VERTICAL BRACKET BARR@E
=>= ,END OF BARR@E SIGN WHEN IT IS
  NOT FOLLOWED BY A FRET SIGN

         ,D4 ,OTHER ,SIGNS
=K= ,NATURAL HARMONIC OR OPEN STRING
=*L= ,ARTIFICIAL HARMONIC
=<B= ,DOWN BOW OR DOWN STROKE
=<'= ,UP BOW OR UP STROKE
=_>= ,LEFT HAND PIZZICATO










            ,,TABLE #AH
      ,,WINDS AND ,,PERCUSSION

       ,A4 ,WIND ,INSTRUMENTS
=K= ,LETTER ,O OVER OR UNDER NOTE
=<B= ,PLUS SIGN OVER OR UNDER NOTE

          ,B4 ,PERCUSSION
=L= ,RIGHT HAND
=A= ,LEFT HAND

















             ,TABLE #AH          #CG
            ,,TABLE #AI
            ,,ACCORDION

         ,A4 ,GENERAL SIGNS
=,>= ,PREFIX FOR ACCORDION MUSIC

    ,ROWS OF BUTTONS
=@= ,FIRST ROW 7DASH BELOW THE NOTE7
=^= ,SECOND ROW 7NO INDICATION7
=_= ,THIRD ROW 7#A OR ,M7
="= ,FOURTH ROW 7#B OR M7
=.= ,FIFTH ROW 7#C1 #G OR ,S7
=;= ,SIXTH ROW 7#D OR D7
=,= ,SEVENTH ROW 7VARYING
  INDICATIONS7
=,,= ,EIGHTH ROW 7VARYING
  INDICATIONS7
=@@= ,ROW ZERO 7VARYING INDICATIONS7
=<B= ,DRAW 7,V POINTING LEFT7
=<'= ,PUSH 7,V POINTING RIGHT7
=>1= ,CESUR 7NEITHER DRAW NOR PUSH7
=>BS'= ,BASS SOLO 7,B4,S47
=>R'= ,REGISTER
=>WR'= ,WITHOUT ,REGISTER 7USE
  PRINTED INITIALS7



      ,B4 ,REGISTRATION ,SIGNS
=>#H'= #H FT42 CIRCLE WITH A DOT
  BETWEEN THE #B CROSS-LINES
=>#AF'= #AF FT42 CIRCLE WITH A DOT
  BELOW THE #B CROSS-LINES
=>#D'= #D FT42 CIRCLE WITH A DOT
  ABOVE THE #B CROSS-LINES
=>#D#H#AF'= #D FT4 #H FT4 #AF FT42
  CIRCLE WITH A DOT ABOVE1 ONE
  BETWEEN AND ONE BELOW THE #B
  CROSS-LINES
=>#H#AF'= #H FT4 #AF FT42 CIRCLE
  WITH A DOT BETWEEN THE #B CROSS-
  LINES AND ONE BELOW
=>#D#H'= #D FT4 #H FT42 CIRCLE WITH
  A DOT ABOVE THE #B CROSS-LINES AND
  ONE BETWEEN
=>#D#AF'= #D FT4 #AF FT42 CIRCLE
  WITH A DOT ABOVE THE #B CROSS-
  LINES AND ONE BELOW
=>#H/'= ,TREMOLO2 #B HORIZONTAL DOTS
  BETWEEN THE #B CROSS-LINES
=>#H+'= ,DOUBLE TREMOLO2 #C
  HORIZONTAL DOTS BETWEEN THE #B
  CROSS-LINES
=%/= 8,HIGH TREMOLO02 A DOT TO THE
  RIGHT BETWEEN THE #B CROSS-LINES
             ,TABLE #AI          #CI
  OR TO THE RIGHT OF THE CENTER DOT
=</= 8,LOW TREMOLO02 A DOT TO THE
  LEFT BETWEEN THE #B CROSS-LINES OR
  TO THE LEFT OF THE CENTER DOT
=>#H%</#AF'= ,EXAMPLE OF COMBINATION
  OF MORE TREMOLOS






















   ,NEW ,INTERNATIONAL ,MANUAL OF
     ,BRAILLE ,MUSIC ,NOTATION

          ,GENERAL ,INDEX

  ,LOCATORS WITH THE LETTERS 8,,CN0
REFER TO ,COMPILER'S ,NOTES4
  ,TWO-PART LOCATORS REFER TO
CHAPTER-PARAGRAPH NUMBERS4
  ,LOCATORS ENCLOSED IN PARENTHESES
REFER TO TABLES4

  ,,NUMERALS
#A/D STEP ALTERATION OF PITCH1 #C-C1
    #AC-AF1 7#C,A7
#C/D STEP ALTERATION OF PITCH1 #C-C1
    #AC-AF1 7#C,A7
#AST POSITION/FRET 7STRINGS71
    7#AG,B7
#AST STRING 7STRINGS71 7#AG,A7
#BND POSITION/FRET 7STRINGS71
    7#AG,B7
#BND STRING 7STRINGS71 7#AG,A7
#CRD POSITION/FRET 7STRINGS71
    7#AG,B7
#CRD STRING 7STRINGS71 7#AG,A7

            INDEX--NUMERALS      #DA
#D/D TIME
  TIME SIGNATURE FOR1 #A-AB
  .,SEE .ALSO 8COMMON0 TIME
      SIGNATURE
#DTH POSITION/FRET 7STRINGS71
    7#AG,B7
#DTH STRING 7STRINGS71 7#AG,A7
#ETH POSITION/FRET 7STRINGS71
    7#AG,B7
#ETH STRING 7STRINGS71 7#AG,A7
#FTH POSITION/FRET 7STRINGS71
    7#AG,B7
#FTH STRING 7STRINGS71 7#AG,A7
#G 7ITALICIZED NUMERAL7
  IN CHORD SYMBOLS1 #AB-AD1 7#AB,A7
  IN FIGURED BASS1 7#AB,B7
#GTH POSITION/FRET 7STRINGS71
    7#AG,B7
#GTH STRING 7STRINGS71 7#AG,A7
#H;BA1 INDICATING WITH OCTAVE MARKS1
    #A-AC
#HTH NOTES1 7#A,A7
  GROUPING1 #D-A
    ACROSS BAR LINES1 #D-H
  AND GROUPINGS OF SMALLER-VALUE
      NOTES1 #D-C
  SYNCOPATED1 #D-G
  AS TREMOLOS1 7#G7
#HTH POSITION/FRET 7STRINGS71
    7#AG,B7
#HTH REST1 7#A,A7
    AND GROUPINGS OF SMALLER-VALUE
        NOTES1 #D-C
#HTH STEM1 7#E,D7
#HVA1 INDICATING WITH OCTAVE MARKS1
    #A-AC
#ITH POSITION/FRET 7STRINGS71
    7#AG,B7
#AJTH POSITION/FRET 7STRINGS71
    7#AG,B7
#AATH POSITION/FRET 7STRINGS71
    7#AG,B7
#ABTH POSITION/FRET 7STRINGS71
    7#AG,B7
#AFTH NOTES1 7#A,A7
  GROUPING1 #D-A1 #D-B1 #D-E
  AS TREMOLOS1 7#G7
#AFTH REST1 7#A,A7
#AFTH STEM1 7#E,D7
#CBND NOTES1 7#A,A7
  GROUPING1 #D-A1 #D-B1 #D-E
  AS TREMOLOS1 7#G7
#CBND REST1 7#A,A7
#CBND STEM1 7#E,D7

             NUMERALS CONT4      #DC
#FDTH NOTES1 7#A,A7
  AS TREMOLOS1 7#G7
#FDTH REST1 7#A,A7
#ABHTH NOTES1 7#A,A7
  AS TREMOLOS1 7#G7
#ABHTH REST1 7#A,A7
#BEFTH NOTES1 PREFIX FOR1 #A-C1
    7#A,A7
                 ,A
8A LA ,CODA01 #I-AJ
ABBREVIATIONS1 ,,CN-#F1 #AD-AI
  FOR ACCORDION MUSIC1 #AI-D
  DOT #C FOLLOWING1 #AJ-D1 #AI-D
  INDICATING HARMONICS1 #AG-AG1
      #AG-BJ TO #AG-BB
  IN INSTRUMENTAL SCORES1 #BJ-A
  WORD SIGN WITH1 #AJ-B TO #AJ-C1
      #AJ-G
ACCELERANDO1 WITHIN RHYTHMIC GROUP1
    #AC-AC1 7#AC,C7
ACCENT SIGNS1 IN FOREIGN WORDS1
    ,,CN-#F
ACCENTS
  AGOGIC1 7#AJ7
  NORMAL 7HORIZONTAL 8,V0 POINTING
      RIGHT71 7#AJ7
  REVERSED1 7#AJ7

ACCIDENTALS1 #C-A TO #C-C1 7#C,A7
  ABOVE OR BELOW A NOTE1 #C-B1
      7#C,A7
  BEFORE DOUBLED INTERVALS1 #E-H
  IN CHORD SYMBOLS1 #AB-D
  WITH DOUBLED OCTAVES1 #E-I
  WITH FIGURED BASS1 #AB-AH TO
      #AB-AI1 7#AB,B7
  IN IN-ACCORD PARTS1 #E-AE
  WITH MOVING-NOTE SIGNS1 #E-BG
  WITH NOTES TIED OVER BAR LINES1
      #F-AD
  WITH OCTAVES1 #E-I
  WITH ORNAMENTS1 #AA-AB1 7#AA7
  QUARTER-STEP ALTERATIONS1 #C-C1
      #AC-AF1 7#C,A7
ACCOMPANIMENTS
  FOR CHORAL MUSIC1 #AF-AI
  FOR KEYBOARD SOLO PARTS1 #AE-E1
      7#AE,A7
  FOR VOCAL MUSIC1 #AF-AI
  FOR WIND INSTRUMENTS1 #AH-I
ACCORDION MUSIC1 #AI-A TO #AI-AB1
    7#AI7
  BASS NOTES1 #AI-B1 7#AI,A7
  CHORDS1 #AI-B1 #AI-I1 7#AI,A7
  DOUBLING INTERVALS1 #AI-AJ
          ,A--ACCORDION MUSIC    #DE
    7ACCORDION MUSIC CONT47
  FINGERING1 #AI-E1 #AI-H
  PREFIX FOR1 #AI-A1 #AI-AA1 7#AI,A7
  REGISTRATION1 #AI-F TO #AI-G1
      7#AI,B7
  ROWS OF BUTTONS1 #AI-B TO #AI-C1
      7#AI,A7
ACCUMULATING ARPEGGIO1 #F-BJ1 7#F,B7
AGOGIC ACCENT 7SHORT LINE71 7#AJ7
ALTERNATE PASSAGES4 .,SEE VARIANT
    PASSAGES
ALTERNATION-TYPE TREMOLOS1 #G-F TO
    #G-G1 7#G,B7
  .,SEE .ALSO REPETITION-TYPE
      TREMOLOS
ALTERNATIVE FINGERINGS1 FOR KEYBOARD
    INSTRUMENTS1 #H-D TO #H-E
ALTERNATIVE NOTES1 IN VOCAL MUSIC1
    #AF-AD
ALTO 7VOCAL PART7
  DIRECTION OF INTERVALS1 #E-A
  PREFIX FOR1 7#AF,A7
ALTO CLEF FOR VIOLA1 7#B7
ANACRUSIS1 #A-E
ANULAR 7RING FINGER7 7PLUCKED
    STRINGS71 7#H,B7
APPOGGIATURAS1 #AA-F TO #AA-H1 7#AA7
  SHORT1 #AA-F TO #AA-H1 #AA-AH1
      7#AA7
    MODERN NOTATION FOR1 #AC-H
    SLURS FOR1 #F-AB1 7#F,A7
APPROXIMATE PITCH 7QUASI-NOTE71
    SLANTING LINE DESIGNATING1
    #AC-I1 7#AC,A7
ARPEGGIO DOWN1 7#AA7
  FOR RASGUEADO1 #AG-CF
ARPEGGIO UP1 #AA-BJ1 7#AA7
  FOR RASGUEADO1 #AG-CF
ARPEGGIOS1 #AA-BJ1 7#AA7
  ACCUMULATING1 #F-BJ1 7#F,B7
  WITH IN-ACCORDS1 #AA-BJ1 7#AA7
ARTIFICIAL HARMONICS 7STRINGS71
    #AG-AF TO #AG-AG1 #AG-AI TO
    #AG-BC1 7#AG,D7
  DOUBLING OF SIGN1 #AG-AI
  PLACEMENT OF SIGN1 #AG-AG
  RESULTANTS OF1 #AG-BC
ASTERISK 7MUSIC71 #AD-AF1 7#AD7
,AUSTRALIA1 NATIONAL SIGNS OF1 .VOL4
    #B2 .PAGE #HF
AUTHORITIES FOR THIS WORK2 .VOL4 #B1
    .PAGE #HA
AUXILIARY NOTES1 LETTERS
    REPRESENTING1 IN HARMONIC
    ANALYSIS1 #AB-CF
        ACCUMULATING--AUXILIARY  #DG
                     ,B
BAR LINES1 #I-A TO #I-D1 7#I,A7
  BRAILLE1 #I-A1 #AB-CC1 #AB-CH1
      #AG-BA1 7#I,A7
  DOTTED1 #I-B1 #AC-I1 7#I,A7
  GROUPING #HTH NOTES ACROSS1 #D-H
  SPACE INDICATING1 #A-AB1 #I-A1
      7#I,A7
  TIES OVER1 #F-AD
BAR-OVER-BAR FORMATS
  CHORD SYMBOLS IN1 #AB-G1 #AB-AA
  FIGURED BASS IN1 #AB-BB
  HARMONIC ANALYSIS IN1 #AB-CD TO
      #AB-CE
  MEASURE NUMBERS IN1 #AD-AC
  TRACKER DOTS IN1 #F-G1 #AB-AA
BARITONE CLEF1 7#B7
BARRED ,C TIME SIGNATURE1 7#C,B7
BARR@ES 7PLUCKED STRINGS71 #AG-B1
    #AG-BH TO #AG-CD1 7#AG,C7
  PLACEMENT OF SIGNS1 #AG-CJ TO
      #AG-CA
8,BARTOK0 PIZZICATO1 #H-I
BASIC SIGNS1 #A-A TO #A-AC1 7#A7
  NOTES AND RESTS1 #A-A TO #A-G1
      7#A,A7
  OCTAVE MARKS1 #A-H TO #A-AC1
      7#A,B7
  .,SEE .ALSO BRAILLE SIGNS2 NOTES2
      OCTAVE MARKS2 RESTS
BASS 7STRING BASS71 DIRECTION OF
    INTERVALS1 #E-A1 #AG-C
BASS 7VOCAL PART7
  DIRECTION OF INTERVALS1 #E-A
  PREFIX FOR1 7#AF,A7
BASS CLEF1 7#B7
  HIGH CLEF FOR BASS1 7#B7
  ON THE TREBLE STAFF1 #B-E
  .,SEE .ALSO ,F CLEF
BASS NOTES 7ACCORDION71 #AI-B1
    7#AI,A7
BASS PARTS1 ORDER OF PARTS IN IN-
    ACCORDS1 #E-AC
BASS SOLO 7,B4,S47 7ACCORDION71
    7#AI,A7
BASS STAFF1 TREBLE CLEF ON1 #B-E
BEAMS
  JOINING SMALLER-VALUE NOTES1 #D-A
  .,SEE .ALSO RHYTHMIC GROUPS
BEBUNG1 #AA-BA1 7#AA7
BLACK NOTE HEAD1 WITH NO STEM1
    7#AC,A7
BOWED STRING INSTRUMENTS1 #AG-BD TO
    #AG-BG1 7#AG,D7
  PLAYING CHORDS ON1 #AG-BE
        ,B--BOWED STRING INSTR4  #DI
    7BOWED STRING INSTRUMENTS CONT47
  .,SEE .ALSO STRING INSTRUMENTS
BOWING SIGNS 7BOWED STRINGS71 #AG-
    #BD1 7#AG,D7
BRACKET BARR@E 7PLUCKED STRINGS71
    #AG-BH1 #AG-CC TO #AG-CD1
    7#AG,C7
BRACKETS1 #AB-CI TO #AB-DD1 7#AB,C7
  ABOVE/BELOW THE STAFF1 #AB-DA1
      7#AB,C7
  DOTTED/DASHED1 #AB-DC1 7#AB,C7
  INDICATING HARMONICS 7STRINGS71
      #AG-BJ
  INDICATING POSITION 7STRINGS71
      #AG-BJ
  ROUND4 .,SEE PARENTHESES
  SQUARE1 #AB-DJ TO #AB-DD1 7#AB,C7
  WITH UNCLEAR ENDING1 #AB-DD1
      7#AB,C7
  VERTICAL1 #AB-DJ1 7#AB,C7
,BRAILLE ,AUTHORITY OF ,NORTH
    ,AMERICA1 NATIONAL SIGNS1
    ,,CN-#B1 .VOL4 #B1 .PAGE #ID
BRAILLE BAR LINE1 #I-A1 #AB-CC1
    #AB-CH1 7#I,A7
  IN STRING MUSIC1 #AG-BA
BRAILLE BEBUNG1 #AA-BA1 7#AA7
BRAILLE CODA1 7#I,C7
BRAILLE EDITION OF THIS MANUAL1
    ,,CN-#C
BRAILLE EXAMPLES1 ,,CN-#C
  COMPARED WITH PRINT EXAMPLES1
      ,,CN-#C1 ,,CN-#F
BRAILLE PAGINATION1 #AD-AJ
BRAILLE REPEATS1 #I-AD TO #I-EC1
    7#I,C7
  FULL-MEASURE1 #I-CC TO #I-DF1
      7#I,C7
  PART-MEASURE1 #I-AE TO #I-CB1
      7#I,C7
  IN VOCAL MUSIC1 #AF-AB1 7#AF,D7
BRAILLE SCORE1 ADDING BRAILLE
    SIGNS TO1 ,A-#F1 7#AD7
BRAILLE SEGNO1 #I-AC1 #I-DG TO
    #I-DI1 7#I,C7
  IN VOCAL MUSIC1 #AF-AB1 7#AF,D7
BRAILLE SIGNS
  ADDING TO A BRAILLE SCORE1 ,A-#F1
      7#AD7
  IN DIFFERENT CONTEXTS1 ,A-#I
  DOT #E PRECEDING1 ,A-#F
  INDEX OF1 .VOL4 #B1 .PAGES #II TO
      #ACF
  SPECIAL1 #AD-B

         BOWING--BRAILLE SIGNS   #EA
    7BRAILLE SIGNS CONT47
  TABLES OF1 .VOL4 #C1 .PAGES #A TO
       #DJ
,BRAZIL1 NATIONAL SIGNS OF1 .VOL4
    #B1 .PAGE #HG
BREAK1 FULL1 7#AJ7
BREATH SIGNS
  IN VOCAL MUSIC1 #AF-AA1 7#AJ71
      7#AF,C7
  FOR WIND INSTRUMENTS1 #AH-D TO
      #AH-E1 7#AJ71 7#AF,C7
BREVIS1 7#A,A7
BREVIS REST1 #A-G1 7#A,A7
BUTTONS 7ACCORDION71 #AI-B TO #AI-C1
    7#AI,A7
                 ,C
,C 78COMMON0 TIME SIGNATURE71 7#C,B7
,C CLEF1 7#B7
  DIRECTION OF INTERVALS1 #AG-C
CADENZAS
  LARGE AND SMALL VALUE SIGNS IN1
      #A-F
  REPETITION OF PASSAGES IN1 #I-CB1
      7#I,C7
,CANADA1 NATIONAL SIGNS OF1 .VOL4
    #B1 .PAGE #ID
CAPITALIZATION SIGN1 ,,CN-#B1 #AB-C1
    #AB-CA1 7#AB,B7
  .,SEE .ALSO UPPERCASE LETTERS
CELLO1 DIRECTION OF INTERVALS1 #E-A1
    #AG-C
CESUR 7NEITHER DRAW NOR PUSH7
    7ACCORDION71 7#AI,A7
CHANGE-OF-STAFF TIE SIGN1 #F-BC TO
    #F-BD1 7#F,C7
CHIQUITO 7LITTLE FINGER7 7PLUCKED
    STRINGS71 7#H,B7
CHORAL MUSIC1 #AF-AH TO #AF-AI
  KEYBOARD ACCOMPANIMENTS1 #AF-AI
  .,SEE .ALSO VOCAL MUSIC
CHORD SYMBOL PREFIX1 #AB-AB1 7#AB,A7
CHORD SYMBOLS1 #AB-B TO #AB-AD1
    7#AB,A7
  ACCIDENTALS IN1 #AB-D
  ALIGNING WITH NOTES1 #AB-AJ TO
      #AB-AA
  ALIGNING WITH TEXT1 #AB-G TO #AB-I
  IN BAR-OVER-BAR FORMATS1 #AB-G1
      #AB-AA
  EXAMPLES1 #AB-F
  IN HARMONIC ANALYSIS1 #AB-CB
  INDICATING NOTE VALUE WITH1 #AB-AC
  PLACEMENT OF1 #AB-G TO #AB-AA
  PREFIX FOR CHORD SYMBOL PART1 #AB-
      #AB1 7#AB,A7
         BRAZIL--CHORD SYMBOLS   #EC
    7CHORD SYMBOLS CONT47
  IN SECTION-BY-SECTION FORMATS1
      #AB-AB
CHORD TIES1 #F-AG TO #F-AH1 #F-BB TO
    #F-BD1 7#F,B71 7#F,C7
  FROM ANOTHER IN-ACCORD1 #F-BA TO
      #F-BC1 7#F,C7
  FROM ANOTHER STAFF1 #F-BA1 #F-BD1
      7#F,C7
  WITH CHORDS WITH DOUBLED
      INTERVALS1 #F-AG
  DOUBLING1 #F-AH
  AND FULL-MEASURE REPEATS1 #I-CE
  BETWEEN IN-ACCORD PARTS1 #F-BB1
      7#F,C7
  BETWEEN STAVES1 7#F,C7
  .,SEE .ALSO SINGLE-NOTE TIES
CHORDS1 #E-A TO #E-CA1 7#E7
  IN ACCORDION MUSIC1 #AI-B1 #AI-I1
      7#AI,A7
  ALIGNMENT OF1 #AB-CG
  ON BOWED STRING INSTRUMENTS1 #AG-
      #BE
  CHORD TIES1 #F-AG TO #F-AH1 #F-BB
      TO #F-BD1 7#F,B71 7#F,C7
  DOTTED NOTES IN1 #E-F
  INDICATING WITH INTERVALS1 #E-A TO
      #E-B1 #E-F TO #E-G
  IN INSTRUMENTAL SCORES1 #BJ-F TO
      #BJ-G
  IN MUSIC FOR WINDS1 #AH-G
  WITH NOTES OF EQUAL VALUE1 #E-A
  OCTAVE MARKS PRECEDING1 #E-G
  SLURS WITH1 #F-C1 #F-H1 7#F,A7
  TIED NOTES IN1 #F-AE TO #F-AI1
      7#F,B7
  TONE CLUSTERS AS1 #AC-AJ
  .,SEE .ALSO CHORD SYMBOLS2
      INTERVALS
CIRCLE1 IN CHORD SYMBOLS1 #AB-AD1
    7#AB,A7
CIRCULAR SYMBOLS1 FOR ACCORDION
    REGISTRATION1 #AI-F TO #AI-G1
    7#AI,B7
CLEF SIGNS1 #B-A TO #B-G1 7#B7
  FOR BLIND TEACHERS1 #AE-AD
  IN BRAILLE MUSIC1 #B-A1 #B-B
  CHANGES IN1 AND INTERVALS1 #E-AJ1
      #AE-AJ
  DOT #C FOLLOWING1 #B-D
  IN INSTRUMENTAL SCORES1 #BJ-C
  LOCATION ON THE STAFF1 #B-F
  FOR NON-MELODIC PERCUSSION
      INSTRUMENTS1 #AH-AC
  AND OCTAVE MARKS1 #B-C1 #B-F
        CHORD TIES--CLEF SIGNS   #EE
    7CLEF SIGNS CONT47
  AS PREFIX FOR INSTRUMENTAL MUSIC1
      #AG-C
  IN PRINT MUSIC1 #B-A
  WITH SMALL #H ABOVE/BELOW1 #B-G
  WITH SMALL #AF ABOVE/BELOW1 #B-G
  AS USED IN EXAMPLES1 ,,CN-#D
  .,SEE .ALSO ,C CLEF2 ,F CLEF2 ,G
      CLEF
CLUSTERS4 .,SEE TONE CLUSTERS
CODA SIGN
  BRAILLE1 7#I,C7
  PRINT1 #I-I TO #I-AA1 7#I,B7
COINCIDENCE OF NOTES1 IN MORE THAN
    ONE PART1 #AD-G1 #AE-AC1 7#AD7
8,COLOGNE ,KEY0 OF #AHHH
  ON CHORDS1 #E-A TO #E-B
  EXAMPLE OF OCTAVE MARKS1 #A-AA
8COMING FROM0 SIGN1 FOR SLURS AND
    TIES1 #F-BA1 #F-BC1 7#F,C7
COMMA 7HALF BREATH71 #AF-AA1 #AH-D1
    7#AJ7
8COMMON0 TIME SIGNATURE1 #A-AB1
    7#C,B7
,COMPILER'S ,NOTES TO THIS MANUAL1
    ,,CN-#A TO ,,CN-#H
COMPOSERS' NAMES1 #AD-B
8CON PED401 IN PIANO MUSIC1 #AE-AF
CONTINUATIONS1 #AJ-AF TO #AJ-AG1
    7#AJ7
  WITH HARMONICS1 #AG-BJ TO #AG-BA
  WITH POSITION/FRET SIGNS1 #AG-AA1
      #AG-BJ
  PRINT LINES OF CONTINUATION
      7FIGURED BASS71 #AB-BC1
      7#AB,B7
  WITH STRING SIGNS1 #AG-G
  WITH TRILLS1 #AA-E
CONTRA-BASS NOTES 7ACCORDION71
    #AI-B1 7#AI,A7
CONTRACTIONS1 IN LITERARY PORTIONS1
    ,A-#D1 #AD-B
CONVERGING LINES 7DECRESCENDO71
    #AJ-E TO #AJ-F1 7#AJ7
CRESCENDO 7DIVERGING LINES71 #AJ-E
    TO #AJ-F1 7#AJ7
8CROSSED0 7RAISED7 FIGURES1 IN
    FIGURED BASS1 #AB-BJ1 7#AB,B7
CROTCHET1 7#A,A7
8CUT0 TIME SIGNATURE1 7#C,B7
,CZECH ,REPUBLIC1 NATIONAL SIGNS
    OF1 .VOL4 #B1 .PAGE #HH
                 ,D
DASHED BRACKETS1 #AB-DC1 7#AB,C7

      CLUSTERS--DASHED BRACKETS  #EG
DASHED LINES1 INDICATING EDITORIAL
    MARKINGS1 #AD-AE
DECRESCENDO 7CONVERGING LINES71
    #AJ-E TO #AJ-F1 7#AJ7
,DENMARK1 NATIONAL SIGNS OF1 .VOL4
    #B1 .PAGE #HI
DESCANT CLEF1 7#B7
DIAMOND-SHAPED NOTE HEADS1 #AC-B1
    #AC-F1 7#AC,A7
  INDICATING ARTIFICIAL HARMONICS1
      #AG-AF1 #AG-BA1 #AG-BC1
      7#AG,D7
DIMINISHED CHORDS1 #AB-AD
  IN ACCORDION MUSIC1 7#AI,A7
DIMINISHED SEVENTH CHORDS1 #AB-AD
DISTINCTION OF VALUES SIGN1 #A-D1
    #D-H1 7#A,A7
DIVERGING LINES 7CRESCENDO71 #AJ-E
    TO #AJ-F1 7#AJ7
DIVISI PARTS
  IN INSTRUMENTAL SCORES1 #BJ-G
  IN VOCAL MUSIC1 #AF-AD
DOT 7SPICCATO71 #AJ-AA1 7#AJ7
DOT 7STACCATO71 7#AJ7
  AND THE BRAILLE BEBUNG1 #AA-BA1
      7#AA7
DOT #A1 PRINT LINES OF CONTINUATION
    7FIGURED BASS71 #AB-BC1 7#AB,B7
DOT #C
  ALTERNATIVE FINGERINGS 7STRINGS71
      #H-G
  IN CHORD SYMBOLS1 #AB-D
  FOLLOWING ABBREVIATIONS1 #AJ-D1
      #AI-D
  FOLLOWING ACCORDION REGISTRATION
      SYMBOLS1 #AI-F
  FOLLOWING CLEF SIGNS1 #B-D
  FOLLOWING DYNAMICS1 #AJ-D
  FOLLOWING HAND OR PART SIGNS1
      #AE-C
  FOLLOWING MEASURE NUMBERS1 #AD-AB
  OMITTED FIGURES 7FIGURED BASS71
      #AB-BA1 7#AB,B7
  OMITTED FINGERING 7KEYBOARDS71
      #H-E1 7#H,A7
  SEPARATING REPEATS OF DIFFERENT
      VALUES1 #I-AI1 7#I,C7
  AND THREE-CELL GROUPING SIGNS1
      #D-AA
  AS TRACKER DOTS1 #F-G1 #AB-AA
DOT #E
  PRECEDING ACCIDENTALS IN IN-ACCORD
      PARTS1 #E-AE1 #E-AI
  PRECEDING ADDED ABBREVIATIONS1
      #AE-I
         DASHED LINES--DOT #E    #EI
    7DOT #E CONT47
  PRECEDING BRAILLE SIGNS NOT IN
      PRINT SCORE1 ,A-#F1 7#AD7
  PRECEDING RESTS IN IN-ACCORD
      PARTS1 #E-AF1 #E-AI
  PRECEDING RESTS WITH CHORD
      SYMBOLS1 #AB-AB
  PRECEDING SPACES1 #AD-H1 7#AD7
DOT #F
  ALTERNATIVE FINGERINGS 7STRINGS71
      #H-G
  MOVING-NOTE SIGN FOR ONE INTERVAL1
      #E-BC TO #E-BD1 7#E,C7
  OMITTED FINGERING 7KEYBOARDS71
      #H-E1 7#H,A7
  PRECEDING ACCIDENTALS WITH
      ORNAMENTS1 #AA-AB1 7#AA7
DOT AND LINE 7MEZZO-STACCATO71 7#AJ7
DOTTED BAR LINES1 #I-B1 #AC-I1
      7#I,A7
DOTTED BRACKETS1 #AB-DC1 7#AB,C7
DOTTED DOUBLE BAR LINES 7REPEATS71
    #I-E1 7#I,B7
DOTTED NOTES1 #A-B
  IN CHORDS1 #E-F
  TIES WITH1 #F-AC
DOTTED RESTS1 #A-B
DOTTED STEMS1 #E-CA
DOUBLE BAR LINES1 #A-B1 #I-C TO
    #I-D1 7#I,A7
  DOTTED 7REPEATS71 #I-E1 7#I,B7
  FINAL1 7#I,A7
    IN BRAILLE EXAMPLES1 ,,CN-#C
  MUSIC HYPHEN FOLLOWING1 #I-D
  OCTAVE MARK FOLLOWING1 #I-C
DOUBLE FLAT SIGN1 7#C,A7
DOUBLE OCTAVE MARKS1 #A-AC
DOUBLE SHARP SIGN1 7#C,A7
DOUBLED OCTAVES1 #E-I
DOUBLED SLURS1 #F-G
DOUBLING
  ACCORDION INTERVALS1 #AI-AJ
  IN BRAILLE MUSIC1 ,A-#H
  EXPRESSION MARKS1 #AJ-AC
  OF GROUPING SIGNS1 #D-AA
  INTERVAL DOUBLING WITH ORNAMENTS1
      #AA-AG TO #AA-AH
  NOTES WITH UNUSUAL SHAPE1 #AC-C
  AND PART-MEASURE REPEATS1 #I-BH TO
      #I-BI
  AND SEGNO PASSAGES1 #I-DI
  SHORT APPOGGIATURAS1 #AA-H
  STACCATOS WITH IN-ACCORDS1 #AJ-AD
  WITH STRING SIGNS1 #AG-G
  TONE-CLUSTER SIGN1 #AC-AA
           DOT #F--DOUBLING      #FA
DOWN BOW 7BOWED STRINGS71 7#AG,D7
DOWN STROKE 7PLUCKED STRINGS71
    #AG-CE1 7#AG,D7
DRAW 7,V POINTING LEFT7 7ACCORDION71
    #AI-AB1 7#AI,A7
8,D4,S401 #I-AJ
  .,SEE .ALSO SEGNO SIGN
DYNAMICS
  ADDED BY AN EDITOR IN PRINT1 #F-AJ
  DOT #C FOLLOWING1 #AJ-D
  EXAMPLES1 #AJ-AG
  IN KEYBOARD MUSIC1 #AJ-AH
  WITH SUSTAINED NOTES1 #AJ-AI
  WORD SIGN WITH1 #AJ-C TO #AJ-D
                 ,E
EDITORIAL MARKINGS1 #F-AJ
  DASHED LINES INDICATING1 #AD-AE
  PREFIX FOR1 #AD-AE1 7#AD7
EDITORIAL SLURS1 #F-AJ1 #AD-AE1
    7#F,A7
#HTH NOTES1 7#A,A7
  GROUPING1 #D-A
    ACROSS BAR LINES1 #D-H
  AND GROUPINGS OF SMALLER-VALUE
      NOTES1 #D-C
  SYNCOPATED1 #D-G
  AS TREMOLOS1 7#G7

#HTH POSITION/FRET 7STRINGS71
    7#AG,B7
#HTH REST1 7#A,A7
  AND GROUPINGS OF SMALLER-VALUE
      NOTES1 #D-C
#HTH STEM1 7#E,D7
#AATH POSITION/FRET 7STRINGS71
    7#AG,B7
8ENDING0 SIGN1 FOR STRAIGHT LINE
    BETWEEN STAVES1 #F-I1 7#F,A7
EQUALS SIGN1 IN
    METRONOME MARKINGS1 #AD-AG1
    7#AD7
EXAMPLES
  BRAILLE1 ,,CN-#C1 ,,CN-#F
  USED IN THIS MANUAL1 ,,CN-#A1
      ,,CN-#D1 ,,CN-#G
  .,SEE .ALSO BRAILLE EXAMPLES2
      PRINT EXAMPLES
EXPRESSION MARKS
  ABOVE AND BELOW A NOTE1 #AJ-AC
  COMBINING1 #AJ-AE
  DOUBLING1 #AJ-AC
  AND FULL-MEASURE REPEATS1 #I-DE
  .,SEE .ALSO NUANCES
EXTENDED MORDENT1 #AA-AE1 7#AA7

          DOWN BOW--EXTENDED     #FC
EXTENDED SHORT TRILL1 #AA-AD1
    7#AA7
                 ,F
,F CLEF
  ON THE THIRD LINE1 7#B7
  ON THE FIFTH LINE1 7#B7
  IN THE RIGHT HAND PART1 7#B7
  .,SEE .ALSO BASS CLEF
8FAN-SHAPED0 RHYTHMIC GROUPS1 #AC-
    #AC TO #AC-AD1 7#AC,C7
FERMATAS1 #AJ-AC1 7#AJ7
  DOUBLING1 #AJ-AC
  INITIAL SIGNS FOR1 #AC-AG
  UNUSUAL1 #AC-AG
FIFTH 7INTERVAL71 7#E,A7
FIFTH FINGER 7KEYBOARD71 7#H,A7
#ETH POSITION/FRET 7STRINGS71
    7#AG,B7
#ETH STRING 7STRINGS71 7#AG,A7
FIGURED BASS1 #AB-AE TO #AB-BG1
    7#AB,B7
  ACCIDENTALS IN1 #AB-AH TO #AB-AI1
      7#AB,B7
  IN BAR-OVER-BAR FORMATS1 #AB-BB
  CHANGE OF FIGURES ON ONE NOTE1
      #AB-BD
  CONTINUATION LINES1 #AB-BC1
      7#AB,B7
  8CROSSED0 7RAISED7 FIGURES1 #AB-
      #BJ1 7#AB,B7
  WITH HARMONIC ANALYSIS1 #AB-CH
  NOTES WITH1 #AB-BF
  OMITTED FIGURES1 #AB-BA1 7#AB,B7
  WITH OTHER MUSICAL SIGNS1 #AB-BE
  PREFIX FOR FIGURED BASS PART1
      7#AB,B7
  IN SECTION-BY-SECTION FORMATS1
      #AB-BB
  SEPARATION OF SIGNS1 #AB-BE1
      7#AB,B7
  .,SEE .ALSO HARMONIC ANALYSIS
FIGURED BASS PREFIX1 7#AB,B7
FINGERING1 #H-A TO #H-AA1 7#H7
  FOR ACCORDION MUSIC1 #AI-E1 #AI-H
  FOR KEYBOARD INSTRUMENTS1 #H-A TO
      #H-E1 7#H,A7
  FOR NATURAL HARMONICS 7STRINGS71
      #AG-AH
  WITH ORNAMENTS1 #AA-AF
  AND PART-MEASURE REPEATS1 #I-CA
  8PIMA0 7STRINGS71 #H-AJ TO #H-AA1
      7#H,B7
  FOR PLUCKED STRING INSTRUMENTS1
      #H-AJ TO #H-AA1 7#H,B7

         EXTENDED--FINGERING     #FE
    7FINGERING CONT47
  FOR STRING INSTRUMENTS1 #H-F TO
      #H-AA1 7#H,B7
  AND VARIANTS1 #I-EG
,FINLAND1 NATIONAL SIGNS OF1 .VOL4
    #B1 .PAGE #IJ
FIRST ENDING 7VOLTA71 7#I,B7
FIRST FINGER 7KEYBOARD71 7#H,A7
FIRST FINGER 7STRINGS71 7#H,B7
#AST POSITION/FRET 7STRINGS71
    7#AG,B7
FIRST SOPRANO 7VOCAL PART71 PREFIX
    FOR1 7#AF,A7
#AST STRING 7STRINGS71 7#AG,A7
FLAMS 7PERCUSSION INSTRUMENTS71
    #AH-AG
FLAT SIGN1 7#C,A7
  PLACEMENT OF1 #C-A
  PRINTED BACKWARDS1 #AC-AF
  TONE CLUSTER WITH1 7#AC,B7
FLUTTER TONGUING1 #AH-AJ
  IN FLUTE MUSIC1 #AC-F
FOOT CROSSING1 IN ORGAN MUSIC1
    #AE-CJ1 7#AE,B7
FOOT SYMBOLS1 IN ORGAN MUSIC1 #AE-
    #BI TO #AE-CA1 #AE-CD1 7#AE,B7
FOOTNOTES1 #AD-AF1 7#AD7

FOREIGN LANGUAGES1 VOCAL MUSIC IN1
    #AF-I
FOREIGN WORDS1 ACCENT SIGNS IN1
    ,,CN-#F
#D/D TIME
  TIME SIGNATURE FOR1 #A-AB
  .,SEE .ALSO 8COMMON0 TIME
      SIGNATURE
FOURTH 7INTERVAL71 7#E,A7
FOURTH FINGER 7KEYBOARD71 7#H,A7
FOURTH FINGER 7STRINGS71 7#H,B7
#DTH POSITION/FRET 7STRINGS71
    7#AG,B7
#DTH STRING 7STRINGS71 7#AG,A7
,FRANCE1 NATIONAL SIGNS OF1 .VOL4
    #B1 .PAGE #IJ
,FRENCH VIOLIN CLEF1 7#B7
FRET SIGNS 7STRINGS71 #AG-H TO
    #AG-AA1 7#AG,B7
  INDICATING CHANGE OF POSITION1
      #AG-AC TO #AG-AD1 7#AG,B7
  OCTAVE MARKS FOLLOWING1 #AG-AJ
  PLACEMENT OF1 #AG-H
8FROM0 SIGNS
  WITH SLURS1 #F-F1 #F-G1 #F-BA1
      7#F,C7
  WITH TIES1 #F-BA1 #F-BC1 7#F,C7
        ,FINLAND--8FROM0 SIGNS   #FG
FULL BARR@E 7PLUCKED STRINGS71
    #AG-BH TO #AG-CA1 7#AG,C7
FULL BREAK 7OR BREATH71 7#AJ7
FULL BREATH 7OR BREAK71 #AF-AA1
    7#AJ7
FULL BREATH 7VOCAL MUSIC71 #AF-AA1
    7#AF,C7
FULL BREATH 7WINDS71 #AH-D1
    7#AF,C7
FULL-MEASURE BRAILLE REPEATS1 #I-
    #CC TO #I-DF1 7#I,C7
  COUNT BACK AND REPEAT1 #I-CH TO
      #I-DA1 7#I,C7
  AND EXPRESSION MARKS1 #I-DE
  AND IN-ACCORDS1 #I-CG
  AND NUMBERED MEASURES1 #I-DB TO
      #I-DC1 7#I,C7
  NUMERALS WITH1 #I-CF1 7#I,C7
  AND OCTAVE MARKS1 #I-DJ1 #I-DC TO
      #I-DD
  AND SLURS1 #I-CD1 #I-DA
  AND TIES1 #I-CE
  .,SEE .ALSO PART-MEASURE BRAILLE
      REPEATS
FULL-MEASURE IN-ACCORDS1 #E-AA TO
    #E-AF1 #E-BA1 7#E,B7
  ACCIDENTALS IN1 #E-AE
  OCTAVE MARKS WITH1 #E-AB
  RESTS IN1 #E-AF
  .,SEE .ALSO PART-MEASURE
      IN-ACCORDS
                 ,G
,G CLEF
  ON THE FIRST LINE1 7#B7
  IN THE LEFT HAND PART1 7#B7
  WITH SMALL #H ABOVE1 7#B7
  WITH SMALL #H BELOW1 #AG-D1 7#B7
  TENOR PARTS IN1 #AF-AG
  .,SEE .ALSO TREBLE CLEF
GENERAL SIGNS1 ,A-#A TO ,A-#I
8GENERALLY01 AS USED IN THIS MANUAL1
    ,,CN-#H
,GERMANY1 NATIONAL SIGNS OF1 .VOL4
    #B1 .PAGE #IA
GLISSANDOS1 #AC-I1 7#F,A7
  WITH SLURS1 #AG-AE1 7#F,A7
  ON STRING INSTRUMENTS1 #AG-AC1
      #AG-AE1 7#AG,B7
,GOLPE 7KNOCK7 7PLUCKED STRINGS71
    #AG-CG
GRACE NOTE4 .,SEE SHORT
    APPOGGIATURAS
GRACE-NOTE SLUR1 #F-AB1 7#F,A7
GRAND BARR@E 7PLUCKED STRINGS71
    #AG-BH TO #AG-CA1 7#AG,C7
      FULL BARR@E--GRAND BARR@E  #FI
GROUPING
  DOUBLING OF GROUPING SIGNS1 #D-AA
  RHYTHMIC GROUPING1 #D-I1 7#D7
  SLURS REPRESENTING1 #AC-F
  OF SMALLER-VALUE NOTES1 ,,CN-#D1
      #A-AD1 #D-A TO #D-AB
  .,SEE .ALSO RHYTHMIC GROUPS
GUITAR4 .,SEE PLUCKED STRING
    INSTRUMENTS
                 ,H
HALF BARR@E 7PLUCKED STRINGS71
    #AG-BH TO #AG-CJ1 #AG-CB1
    7#AG,C7
HALF BREATH 7COMMA71 #AF-AA1 #AH-D1
    7#AJ7
HALF BREATH 7VOCAL MUSIC71 #AF-AA1
    7#AF,C7
HALF BREATH 7WINDS71 #AH-D1 7#AF,C7
HALF-DIMINISHED CHORDS1 #AB-AD
HALF NOTES1 7#A,A7
HALF-PEDALLING 7PIANO71 #AE-AG1
    #AE-BA1 7#AE,A7
  WITH IN-ACCORDS1 #AE-BA
HALF PHRASE SLUR1 7#F,A7
HALF POSITION 7STRINGS71 7#AG,B7
HALF REST1 7#A,A7
HALF STEM1 7#E,D7

HAND SIGNS
  CHANGING DIRECTION OF INTERVALS1
      #AE-AA
  WITH IN-ACCORDS1 #AE-AB
  OCTAVE MARK FOLLOWING1 #AE-D
  FOR PERCUSSION INSTRUMENTS1 #AH-
      #AD1 7#AH,B7
  IN PIANO AND ORGAN MUSIC1 #AE-A TO
      #AE-AD1 7#AE,A7
  PLACEMENT OF1 #AE-B
HARMONIC ANALYSIS1 #AB-BH TO #AB-
    #CH1 7#AB,B7
  IN BAR-OVER-BAR FORMATS1 #AB-CD TO
      #AB-CE
  DIRECTION OF INTERVALS1 #AB-BH
  WITH FIGURED BASS1 #AB-CH
  FIGURES IN1 #AB-CJ
  PLACEMENT OF1 #AB-CC
  IN SECTION-BY-SECTION FORMATS1
      #AB-CD TO #AB-CE
  .,SEE .ALSO FIGURED BASS2 THEORY
      NOTATION
HARMONICS 7STRINGS71 #AG-B1 #AG-AF
    TO #AG-BC1 7#AG,D7
  DOUBLING OF SIGNS1 #AG-AI
  PLACEMENT OF SIGNS1 #AG-AG
  RESULTANTS OF1 #AG-BC
         GROUPING--HARMONICS     #GA
HARP1 DIRECTION OF INTERVALS1 #E-A
HEEL/TOE SIGNS1 IN ORGAN MUSIC1
    #AE-BI1 #AE-CA1 7#AE,B7
HIGH CLEF FOR BASS1 7#B7
HORIZONTAL BEAMS
  JOINING SMALLER-VALUE NOTES1 #D-A
  .,SEE .ALSO RHYTHMIC GROUPS
HORIZONTAL LINES1 FOR NON-MELODIC
    PERCUSSION INSTRUMENTS1 #AH-AB1
    #AH-AI TO #AH-BJ
HYPHEN
  BETWEEN SYLLABLES OF VOCAL TEXT1
      #AF-AF
  FOR UNFINISHED MEASURES1 #AD-H1
      7#AD7
  .,SEE .ALSO LITERARY HYPHEN SIGN2
      MUSIC HYPHEN
                 ,I
IN-ACCORDS1 #E-AA TO #E-BA1 7#E,B7
  ACCIDENTALS IN1 #E-AE
  WITH ARPEGGIOS1 #AA-BJ1 7#AA7
  WITH BARR@ES 7PLUCKED STRINGS71
      #AG-CC TO #AG-CD
  CHORD TIE BETWEEN1 #F-BB1 7#F,C7
  CHORD TIE FROM ANOTHER1 #F-BA TO
      #F-BC1 7#F,C7
  WITH CHORDS HAVING NOTES OF
      DIFFERENT VALUES 7BOWED
      STRINGS71 #AG-BE
  DOUBLED INTERVALS IN1 #E-AD
  FOR DYNAMICS WITH SUSTAINED NOTES1
      #AJ-AI
  WITH FIGURED BASS1 #AB-BF
  FULL-MEASURE1 #E-AA TO #E-AF1 #E-
      #BA1 7#E,B7
  AND FULL-MEASURE REPEATS1 #I-CG
  WITH HAND SIGNS1 #AE-AB
  WITH HARMONICS1 #AG-BC
  IN INSTRUMENTAL SCORES1 #BJ-F TO
      #BJ-G
  MEASURES REQUIRING MORE THAN TWO1
      #E-BJ
  OCTAVE MARKS WITH1 #E-AB1 #E-AH
  ORDER OF PARTS IN1 #E-AC
  PART-MEASURE1 #E-AG TO #E-BA1
      7#E,B7
    MEASURE DIVISION FOR1 #E-AG1
        7#E,B7
  RESTS IN1 #E-AF
  SINGLE-NOTE TIE BETWEEN1 #F-BB1
      7#F,C7
  SINGLE-NOTE TIE FROM ANOTHER1
      #F-BA TO #F-BC1 7#F,C7
  SLURS BETWEEN PARTS1 #F-A1 #F-F1
      7#F,A71 7#F,C7
          HARP--IN-ACCORDS       #GC
    7IN-ACCORDS CONT47
  AND THE STEM SIGN1 #E-CJ
  IN VOCAL MUSIC1 #AF-AD
INDEX FINGER 7INDICE7 7PLUCKED
    STRINGS71 7#H,B7
INDEX OF SIGNS IN STANDARD BRAILLE
    ORDER1 .VOL4 #B1 .PAGES #II TO
    #ACF
INDICE 7INDEX FINGER7 7PLUCKED
    STRINGS71 7#H,B7
INSTRUMENTAL SCORES1 #BJ-A TO
    #BJ-AA
  ABBREVIATIONS IN1 #BJ-A
  CHORDS IN1 #BJ-F TO #BJ-G
  CLEF SIGNS IN1 #BJ-C
  DIVISI PARTS IN1 #BJ-G
  EXAMPLE SCORES1 #BJ-I TO #BJ-AA
  IN-ACCORDS IN1 #BJ-F TO #BJ-G
  KEY SIGNATURES IN1 #BJ-D
  PARALLEL MOTION IN1 #BJ-H
INSTRUMENTATION1 ANNOTATIONS ABOUT1
    #AE-F
INTERNATIONAL AGREEMENTS
  GENERAL PHILOSOPHY OF1 ,A-#E
  MINUTES OF MEETINGS1 .VOL4 #B1
      .PAGE #HA
  RECORDED IN THIS MANUAL1 ,A-#A

  WORKING GROUPS1 .VOL4 #B1 .PAGE
      #HA
INTERNATIONALLY APPROVED SIGNS1
    VERSUS LOCALLY-DEVELOPED SIGNS1
    ,A-#B
INTERVAL DOUBLING1 WITH ORNAMENTS1
    #AA-AG TO #AA-AH
INTERVALS1 #E-A TO #E-AJ1 7#E,A7
  AND CHANGES OF CLEF1 #E-AJ1 #AE-AJ
  DOUBLED
    ACCIDENTALS BEFORE1 #E-H
    IN IN-ACCORD PARTS1 #E-AD
  INDICATING CHORDS WITH1 #E-A TO
      #E-B1 #E-F TO #E-G
  LARGER THAN AN OCTAVE1 #E-C1 #E-E1
      7#E,A7
  MELODIC1 #A-AJ
  MORE THAN THREE IDENTICAL
      CONSECUTIVE1 #E-H
  MOVING-NOTE SIGNS FOR1 #E-BC TO
      #E-BE1 7#E,C7
  MULTIPLE1 #E-E
  REQUIRING OCTAVE MARKS1 #A-AJ
    WITH MOVING-NOTE SIGNS1 #E-BF
  .,SEE .ALSO CHORDS
INVERTED MORDENT4 .,SEE SHORT
    TRILLS
       INDEX--INVERTED MORDENT   #GE
INVERTED TURNS1 #AA-AA1 7#AA7
INVERTED ,V1 INDICATING PIANO HALF-
    PEDALLING1 #AE-BA
,I4,S4,B4,N4 NUMBERS1 #AD-C
ITALICIZED #G
  IN CHORD SYMBOLS1 #AB-AD1 7#AB,A7
  IN FIGURED BASS1 7#AB,B7
ITALICS SIGN1 ,,CN-#B1 #AB-C
,ITALY1 NATIONAL SIGNS OF1 .VOL4 #B1
    .PAGE #IB
                 ,K
KEY SIGNATURES1 #C-D TO #C-E1 #C-H
    TO #C-I1 #AD-AH1 7#C,B7
  IN THE BRAILLE EDITION1 ,,CN-#C
  CHANGE OF1 #C-I
  COMBINED WITH TIME SIGNATURE1 #C-H
  IN INSTRUMENTAL SCORES1 #BJ-D
  NUMBER SIGN IN1 #C-D
  OCTAVE MARK FOLLOWING1 #C-E
  SPACE FOLLOWING1 #C-E
  OF TRANSPOSING WIND INSTRUMENTS1
      #AH-F
KEYBOARD MUSIC1 #AE-A TO #AE-CH1
    7#AE7
  ACCOMPANYING VOCAL MUSIC1 #AF-AI
  ALTERNATIVE FINGERINGS1 #H-D TO
      #H-E
  DYNAMICS1 #AJ-AH
  FINGERING1 #H-A TO #H-E1 7#H,A7
  HAND SIGNS1 #AE-A TO #AE-AD1
      7#AE,A7
  MEASURE NUMBERS1 #AD-AC
  OCTAVE MARKS IN EXAMPLES1 ,,CN-#D
  ORGAN MUSIC1 #E-A1 #AE-BF TO #AE-
      #CH1 7#AE,B7
  PARALLEL MOTION1 #I-EJ TO #I-EA1
      7#I,C7
  PASSAGES WITH ALTERNATING HANDS1
      #AE-G TO #AE-I
  PIANO MUSIC1 #E-A1 #AE-A TO #AE-
      #BE1 7#AE,A7
  .,SEE .ALSO ORGAN MUSIC2 PIANO
      MUSIC
                 ,L
LARGE TYPE1 NOTES PRINTED IN1 7#A,A7
LARGER-VALUES SIGN 7#H;THS AND
    LARGER71 #A-D1 #A-F1 7#A,A7
  AND SYNCOPATED #HTH NOTES1 #D-G
LEFT HAND PART
  IN PIANO AND ORGAN MUSIC1 7#AE,A7
  AND PIANO PEDALLING INDICATIONS1
      #AE-AE
  WHEN INTERVALS READ DOWN1 #AE-AA1
      7#AE,A7

     INV4 TURNS--LEFT HAND PART  #GG
LEFT HAND PIZZICATOS 7BOWED
    STRINGS71 #AG-BF1 7#AG,D7
LEFT HAND SIGN1 7#AE,A7
  IN ACCORDION MUSIC1 #AI-AA
  FOR PERCUSSION INSTRUMENTS1
      #AH-AD1 7#AH,B7
  PLACEMENT OF1 #AE-B
LEFT TOE/HEEL1 IN ORGAN MUSIC1
    #AE-BI1 7#AE,B7
LETTER ,O OVER OR UNDER THE NOTE
    7WINDS71 #AH-B1 7#AH,A7
LETTER SIGN 7LOWER CASE71 ,,CN-#B1
    #AB-C
  .,SEE .ALSO LOWERCASE LETTERS
LETTERS1 IN HARMONIC ANALYSIS1
    #AB-BI1 #AB-CA1 #AB-CE TO
    #AB-CF1 7#AB,B7
LITERARY HYPHEN SIGN1 #AB-C
  .,SEE .ALSO MINUS SIGN
LITERARY MATERIAL
  CONTRACTIONS AND SHORT-FORM WORDS
      IN1 ,A-#D1 #AD-B
  PREFIX FOR1 #AD-F1 7#AD7
  WORD SIGN FOR1 #AJ-B TO #AJ-C1
      #AJ-G TO #AJ-AJ1 #AJ-AB1 7#AJ7
  .,SEE .ALSO TEXT2 VOCAL TEXT
LITTLE FINGER 7CHIQUITO7 7PLUCKED
    STRINGS71 7#H,B7
LOCAL FORMATS1 ,,CN-#E1 ,A-#B
LOCALLY-DEVELOPED SIGNS1 VERSUS
    INTERNATIONALLY APPROVED SIGNS1
    ,A-#B
LOCO1 INDICATING WITH OCTAVE MARKS1
    #A-AC
LONGA1 7#A,A7
LONGA REST1 7#A,A7
LOUR@E 7SHORT LINE71 #AJ-AA1 7#AJ7
LOWER-CELL NUMBERS1 IN TIME
    SIGNATURES1 #C-F
LOWERCASE LETTERS1 ,,CN-#B
  IN CHORD SYMBOLS1 #AB-C
  IN HARMONIC ANALYSIS1 #AB-CA1 #AB-
      #CE TO #AB-CF1 7#AB,B7
LOWERCASE ROMAN NUMERALS1 IN
    HARMONIC ANALYSIS1 #AB-CA1
    #AB-CF1 7#AB,B7
                 ,M
MAJOR CHORDS
  IN ACCORDION MUSIC1 7#AI,A7
  IN HARMONIC ANALYSIS1 #AB-CF
MAJOR SEVENTH CHORDS1 #AB-AD
MANUALS 7ORGAN74 .,SEE
    REGISTRATION
8MARK0
  AS USED IN THIS MANUAL1 #A-H
       LEFT HAND PIZZ4--8MARK0   #GI
    78MARK0 CONT47
  .,SEE .ALSO OCTAVE MARKS
MARTELLATO 7THICK 8,V071 7#AJ7
MAYOR 7MIDDLE FINGER7 7PLUCKED
    STRINGS71 7#H,B7
MEASURE DIVISION1 FOR PART-MEASURE
    IN-ACCORDS1 #E-AG1 7#E,B7
MEASURE NUMBERS1 #AD-AB TO #AD-AC
  IN INSTRUMENTAL SCORES1 #BJ-E
MEASURES
  NUMBERING1 #AD-AB TO #AD-AC
  UNFINISHED1 #AD-H1 #AD-AB1 7#AD7
  .,SEE .ALSO BAR LINES
MELODIC INTERVALS1 OCTAVE MARKS
    WITH1 #A-AJ
MELODIC PERCUSSION INSTRUMENTS1
    #AH-AA
METRONOME MARKINGS1 #AD-AG TO #AD-AH
  EQUALS SIGN IN1 #AD-AG1 7#AD7
MEZZO-SOPRANO CLEF1 7#B7
MEZZO-STACCATO 7DOT AND LINE71 7#AJ7
8MIDDLE ,C01 #A-H
MIDDLE FINGER 7MAYOR7 7PLUCKED
    STRINGS71 7#H,B7
MINIM1 7#A,A7
MINOR CHORDS
  IN ACCORDION MUSIC1 7#AI,A7
  IN HARMONIC ANALYSIS1 #AB-CF
MINUS SIGN1 ,,CN-#B1 ,A-#G1 #AB-C1
    7#AB,A7
  IN ORGAN MUSIC1 #AE-CD
MODERN MUSIC NOTATION1 #AC-A TO
    #AC-AI1 7#AC7
  8FAN-SHAPED0 RHYTHMIC GROUPS1
      #AC-AC TO #AC-AD
  NOTES WITH UNUSUAL SHAPES1 #AC-B
      TO #AC-I
  TONE CLUSTERS1 #AC-AJ TO #AC-AB
  FOR WIND INSTRUMENTS1 #AH-AJ
MOOD INDICATIONS1 #AD-AH
MORDENTS1 #AA-AE1 7#AA7
  EXTENDED1 #AA-AE1 7#AA7
MOVING-NOTE SIGNS1 #E-BB TO #E-BI1
    7#E,C7
  ACCIDENTALS WITH1 #E-BG
  OCTAVE MARKS WITH1 #E-BF
  FOR ONE INTERVAL1 #E-BC TO #E-BD1
      7#E,C7
  FOR TWO OR MORE INTERVALS1 #E-BE1
      7#E,C7
  USEFULNESS OF1 #E-BH
MULTIPLE INTERVALS 7IN CHORDS71
    #E-E
MUSIC ASTERISK1 #AD-AF1 7#AD7
MUSIC COMMAS1 DOUBLING1 #AJ-AC
      MARTELLATO--MUSIC COMMAS   #HA
MUSIC EXAMPLES4 .,SEE BRAILLE
    EXAMPLES2 EXAMPLES2 PRINT
    EXAMPLES
MUSIC HYPHEN
  FOLLOWING DOUBLE BAR LINE1 #I-D
  WITH LITERARY EXPRESSIONS1 #AJ-I
  AND PRINT REPEATS1 #I-E
  AND STEM SIGNS1 #E-CA
MUSIC PARENTHESES 7ROUND BRACKETS71
    #AB-CI1 #AD-E1 7#AB,C71 7#AD7
MUSIC PREFIX1 #AD-E1 7#AD7
  IN TIME SIGNATURES1 #C-AJ
  FOR VOCAL MUSIC1 #AF-C
MUSIC THEORY4 .,SEE THEORY NOTATION
8MUST01 AS USED IN THIS MANUAL1
    ,,CN-#H
MUTES1 WITH WIND INSTRUMENTS1 #AH-B
    TO #AH-C1 7#AH,A7
                 ,N
NATION-SPECIFIC FORMATS1 ,,CN-#E
NATIONAL SIGNS1,,CN-#B1 ,A-#G1
    .VOL4 #B1 .PAGES #HE TO #IG
  NOTES ABOUT1 #AD-B
  USED IN THIS MANUAL1 ,,CN-#B
NATURAL HARMONICS 7STRINGS71 #AG-AF
    TO #AG-BC1 7#AG,D7
  DOUBLING OF SIGN1 #AG-AI
  FINGERING1 #AG-AH
  PLACEMENT OF SIGN1 #AG-AG
  RESULTANTS OF1 #AG-BC
NATURAL SIGN1 7#C,A7
  PLACEMENT OF1 #C-A
  TONE CLUSTER WITH1 7#AC,B7
,NETHERLANDS1 ,THE1 NATIONAL SIGNS
    OF1 .VOL4 #B1 .PAGE #IC
..,NEW ,INTERNATIONAL ,MANUAL OF
    ,BRAILLE ,MUSIC .,NOTATION
  ABOUT THE EXAMPLES1 ,,CN-#A1 ,,CN-
      #D1 ,,CN-#G
  AUTHORITIES FOR1 .VOL4 #B1 .PAGE
      #HA
  BRAILLE EDITION1 ,,CN-#C
  ,COMPILER'S ,NOTES1 ,,CN-#A TO
      ,,CN-#H
  PURPOSE OF1 ,A-#A
NINTH 7INTERVAL71 #E-C
#ITH POSITION/FRET 7STRINGS71
    7#AG,B7
NON-CHORD NOTES1 LETTERS
    REPRESENTING1 IN HARMONIC
    ANALYSIS1 #AB-CF
NON-MELODIC PERCUSSION
    INSTRUMENTS1 #AH-AB TO #AH-BJ
NON-SPECIFIC NOTE VALUES1 #AC-D1
    7#AC,A7
         MUSIC EXAMPLES--NON     #HC
,NORTH ,AMERICAN SIGNS1 ,A-#G1 .VOL4
    #B1 .PAGE #ID
  .,SEE .ALSO NATIONAL SIGNS
NOTE HEADS
  BLACK1 WITH NO STEM1 7#AC,A7
  DIAMOND-SHAPED1 #AC-B1 #AC-F1 #AG-
      #AF1 #AG-BA1 #AG-BC1 7#AC,A71
      7#AG,D7
  TRIANGLE-SHAPED1 7#AC,A7
  X-SHAPED1 #AC-G1 7#AC,A7
NOTE NAMES1 #A-A1 7#A,A7
NOTE PAGES1 #AD-B1 #AD-D
NOTE VALUES
  WITH CHORD SYMBOLS1 #AB-AC
  DISTINCTION OF VALUES SIGN1 #A-D1
      #D-H1 7#A,A7
  INDICATING WITH DOT #C AND/OR DOT
      #F1 #A-A1 #A-AD
  LARGER-VALUES SIGN1 #A-D1 #A-F1
      7#A,A7
  NON-SPECIFIC1 #AC-D1 7#AC,A7
  SMALLER-VALUES SIGN1 #A-D TO #A-F1
      #AC-I1 7#A,A7
NOTES1 #A-A TO #A-G1 7#A,A7
  APPEARING IN TIME SIGNATURES1
      #C-AJ1 #AC-AH
  COINCIDENCE OF1 IN MORE THAN ONE
      PART1 #AD-G1 #AE-AC1 7#AD7
  DOTTED1 #A-B
  PRINTED IN LARGE TYPE1 7#A,A7
  PRINTED IN SMALL TYPE1 7#A,A7
    IN FIGURED BASS1 #AB-BF
  SLURS BETWEEN1 #F-A1 7#F,A7
  WITH UNUSUAL SHAPES1 #AC-B TO
      #AC-I1 7#AC,A7
  .,SEE .ALSO NOTE NAMES2 NOTE
      VALUES
NUANCES1 #AJ-A TO #AJ-BJ1 7#AJ7
  ABOVE AND BELOW A NOTE1 #AJ-AC
  COMBINING1 #AJ-AE
  AND PART-MEASURE REPEATS1 #I-CJ
  REPEATS WITH1 #AJ-BJ
  WITH STEM SIGNS1 #E-CA
NUMBER COMBINATIONS1 UPPER- AND
    LOWER-CELL1 #AD-AJ TO #AD-AA
NUMBER SIGNS
  AND FIGURED BASS1 #AB-AE1 #AB-BB1
      #AB-BG1 7#AB,B7
  IN KEY SIGNATURES1 #C-D
  PRECEDING NUMBERS1 #AB-E
  IN TIME SIGNATURES1 #C-F
NUMBERED VARIANTS1 #I-EF1 7#I,D7
NUMBERS
  IN CHORD SYMBOLS1 #AB-E
  IN KEY SIGNATURES1 #C-D
      ,NORTH ,AMERICA--NUMBERS   #HE
    7NUMBERS CONT47
  MEASURE NUMBERS1 #AD-AB TO #AD-AC
  PRINTED ABOVE RHYTHMIC GROUPS1
      #D-I1 #D-AB
  SYSTEM NUMBERS1 #AD-AC TO #AD-AD
  IN TIME SIGNATURES1 #C-F
  UPPER- AND LOWER-CELL NUMBER
      COMBINATIONS1 #AD-AJ TO #AD-AA
NUMERAL SIGN
  PRECEDING NUMBERS1 #AB-E
  .,SEE .ALSO NUMBER SIGNS
                 ,O
8,O0 7LETTER71 OVER OR UNDER THE
    NOTE 7WINDS71 #AH-B1 7#AH,A7
OBLIQUE STROKE1 ,,CN-#B
  IN CHORD SYMBOLS1 #AB-C1 7#AB,A7
  IN FIGURED BASS1 #AB-BG1 7#AB,B7
OCTAVE 7INTERVAL71 7#E,A7
  ACCIDENTALS WITH1 #E-I
  DOUBLED1 #E-I
  AND THE PRIME OR UNISON1 #E-D
OCTAVE MARKS1 #A-H TO #A-AC1 7#A,B7
  AFTER DOUBLE BAR1 #I-C
  AFTER POSITION/FRET SIGNS1 #AG-AJ
  WITH ARTICULATIONS1 #AJ-AB
  WITH CHORDS WITH MULTIPLE
      INTERVALS1 #E-E
  AND CLEF SIGNS1 #B-C1 #B-F
  AND CONTINUATIONS1 #AJ-AF
  DOUBLE1 #A-AC
  FOLLOWING HAND SIGNS1 #AE-D
  FOLLOWING KEY SIGNATURES1 #C-E
  FOLLOWING LITERARY EXPRESSIONS1
      #AJ-H
  FOLLOWING NUANCES1 #AJ-C1 #AJ-AB
  FOLLOWING TIME SIGNATURES1 #C-G
  AND FULL-MEASURE REPEATS1 #I-DJ1
      #I-DC TO #I-DD
  WITH IN-ACCORDS1 #E-AB1 #E-AH
  WITH INTERVALS LARGER THAN AN
      OCTAVE1 #E-C1 #E-E
  AND KEY SIGNATURE/TIME SIGNATURE
      CHANGES1 #C-I
  IN KEYBOARD EXAMPLES1 ,,CN-#D
  WITH MELODIC INTERVALS1 #A-AJ
  WITH MOVING-NOTE SIGNS1 #E-BF
  AND ORNAMENTS1 #AA-A
  AND PARALLEL MOTION1 #I-EJ
  AND PART-MEASURE REPEATS1 #I-BG
  PLACEMENT OF1 #A-I
  PRECEDING CHORDS1 #E-G
  WITH THE PRIME OR UNISON1 #E-D
  AND REPEATS1 #I-H
  AND SEGNO PASSAGES1 #I-AB1 #I-DI
  WITH STRING SIGNS1 #AG-F
        NUMERAL--OCTAVE MARKS    #HG
    7OCTAVE MARKS CONT47
  AS USED IN EXAMPLES1 ,,CN-#D
  AND VARIANTS1 #I-EE
#ABHTH NOTES1 7#A,A7
  AS TREMOLOS1 7#G7
#ABHTH REST1 7#A,A7
OPEN STRING 7STRINGS71 7#H,B71
    7#AG,D7
ORGAN MUSIC1 #AE-BF TO #AE-CH1
    7#AE,B7
  DIRECTION OF INTERVALS1 #E-A
  HAND SIGNS1 #AE-A TO #AE-AD1
      7#AE,A7
  PEDAL PARTS1 #AE-BG TO #AE-CA1
      7#AE,B7
  REGISTRATION1 #AE-CB TO #AE-CH
ORGAN PEDALS1 #AE-BG TO #AE-CA1
    7#AE,B7
  FOOT CROSSING1 #AE-CJ1 7#AE,B7
  FOOT SYMBOLS1 #AE-BI TO #AE-CA1
      #AE-CD1 7#AE,B7
  TOE/HEEL SIGNS1 #AE-BI1 #AE-CA1
      7#AE,B7
ORNAMENTS1 #AA-A TO #AA-BA1 7#AA7
  WITH ACCIDENTALS1 #AA-AB1 7#AA7
  COMBINATIONS OF1 #AA-AI
  WITH FINGERING1 #AA-AF

  WITH INTERVAL DOUBLING1 #AA-AG TO
      #AA-AH
  NAMES OF1 #AA-B
  PLACEMENT OF1 #AA-A
                 ,P
PAGE NUMBERS4 .,SEE PAGINATION
PAGE TURN 7PRINT71 PREFIX FOR1
    #AD-I1 7#AD7
PAGINATION 7BRAILLE71 #AD-AJ
PAGINATION 7PRINT71 #AD-I TO #AD-AJ
  IN INSTRUMENTAL SCORES1 #BJ-E
  PREFIX FOR1 #AD-I1 7#AD7
PARALLEL MOTION1 #I-EJ TO #I-EA1
    7#I,C7
  IN INSTRUMENTAL SCORES1 #BJ-H
PARENTHESES1 ,,CN-#B1 #AB-C
  IN LITERARY EXPRESSIONS1 #AJ-AJ
  MUSIC1 #AB-CI1 #AD-E1 7#AB,C71
      7#AD7
PART-MEASURE BRAILLE REPEATS1 #I-AE
    TO #I-CB1 7#I,C7
  AND CADENZAS1 #I-CB1 7#I,C7
  AND DOUBLING1 #I-BH TO #I-BI
  AND FINGERING1 #I-CA
  AND NUANCES1 #I-CJ
  AND OCTAVE MARKS1 #I-BG
  AND SLURS1 #I-BA TO #I-BE
        #ABHTH--PART-MEASURE     #HI
    7PART-MEASURE REPEATS CONT47
  AND TIES1 #I-BF
  AND UNMEASURED MUSIC1 #I-CB1
      7#I,C7
  .,SEE .ALSO FULL-MEASURE BRAILLE
      REPEATS
PART-MEASURE IN-ACCORDS1 #E-AG TO
    #E-BA1 7#E,B7
  ACCIDENTALS IN1 #E-AI
  MEASURE DIVISION FOR1 #E-AG1
      7#E,B7
  OCTAVE MARKS WITH1 #E-AH
  RESTS IN1 #E-AI
  .,SEE .ALSO FULL-MEASURE
      IN-ACCORDS
PARTIAL BARR@E 7PLUCKED STRINGS71
    #AG-BH TO #AG-CJ1 #AG-CB1
    7#AG,C7
PASSING NOTES1 LETTERS REPRESENTING1
    IN HARMONIC ANALYSIS1 #AB-CF
PEAR-SHAPED DOT 7STACCATISSIMO71
    7#AJ7
8,PED40 7OR OTHER INDICATION FOR
    PEDAL DOWN71 #AE-AE TO #AE-AG1
    #AE-BJ1 7#AE,A7
  NOT FOLLOWED BY A STAR1 #AE-AF
  WITH STAR UNDER ONE NOTE1 #AE-AG1
      #AE-BJ1 7#AE,A7
PEDAL DOWN1 IN PIANO MUSIC1 #AE-AE
    TO #AE-AG1 #AE-BJ1 7#AE,A7
PEDAL UP
  IN PIANO MUSIC1 #AE-AE TO #AE-BJ1
      #AE-BB1 7#AE,A7
  AS SOON AS CHORD IS STRUCK1 #AE-
      #BB1 7#AE,A7
PEDALLING 7ORGAN71 #AE-BG TO #AE-CA1
    7#AE,B7
  .,SEE .ALSO ORGAN PEDALS
PEDALLING 7PIANO71 #AE-AE TO #AE-BE1
    7#AE,A7
  ADDED BY AN EDITOR IN PRINT1 #F-AJ
  HALF-PEDALLING1 #AE-AG1 #AE-BA1
      7#AE,A7
  PLACEMENT OF PEDAL INDICATIONS1
      #AE-AE
  WITH REPEATS1 #AE-BC TO #AE-BE
PERCUSSION INSTRUMENTS1 #AH-AA TO
    #AH-BJ1 7#AH,B7
  CHANGING INSTRUMENTS1 #AH-AE
  FLAMS1 #AH-AG
  HAND SIGNS1 #AH-AD1 7#AH,B7
  MELODIC1 #AH-AA
  NON-MELODIC1 #AH-AB TO #AH-BJ
  ROLLS1 #G-C1 #AH-AG

      PART-MEASURE--PERCUSSION   #IA
PERIODS
  FOLLOWING ABBREVIATIONS1 ,,CN-#F
  FOLLOWING TEMPO OR MOOD
      INDICATIONS1 #AD-AH
PHRASING SLURS
  AND BOWING OR PLECTRUM SIGN1 #AG-
      #BD
  ON ONE NOTE1 BEGINNING AND END OF1
      #F-E1 7#F,A7
  OVER MORE THAN FOUR NOTES OR
      CHORDS1 #F-C1 7#F,A7
  OVER NO MORE THAN FOUR NOTES1
      #F-B1 7#F,A7
  IN VOCAL MUSIC1 #AF-G1 7#AF,B7
  .,SEE .ALSO SLURS
PIANO MUSIC1 #AE-A TO #AE-BE1
    7#AE,A7
  COINCIDENCE OF NOTES SIGN1 #AE-AC
  DIRECTION OF INTERVALS1 #E-A1
      #AE-AA
  HAND SIGNS1 #AE-A TO #AE-AD1
      7#AE,A7
  PASSAGES WITH ALTERNATING HANDS1
      #AE-G TO #AE-I
  PEDALLING1 #F-AJ1 #AE-AE TO #AE-
      #BE1 7#AE,A7
8PIMA0 FINGERING 7STRINGS71 #H-AJ TO
    #H-AA1 7#H,B7
PIZZICATOS
  8,BARTOK01 #H-I
  LEFT HAND 7BOWED STRINGS71 #AG-BF1
      7#AG,D7
PLECTRUM SIGNS 7PLUCKED STRINGS71
    #AG-BD1 7#AG,D7
PLUCKED STRING INSTRUMENTS1 #AG-BH
    TO #AG-CI1 7#AG,D7
  BARR@ES1 #AG-B1 #AG-BH TO #AG-CD1
      7#AG,C7
  FINGERING1 #H-AJ TO #H-AA1 #AG-CI1
      7#H,B7
  ,G CLEF FOR1 #AG-D
  PLECTRUM SIGNS1 #AG-BD1 7#AG,D7
  .,SEE .ALSO STRING INSTRUMENTS
PLUS SIGN1 ,,CN-#B1 ,A-#G1 #AB-C1
    7#AB,A7
  INDICATING LEFT HAND PIZZICATOS
      7BOWED STRINGS71 #AG-BF1
      7#AG,D7
  IN ORGAN MUSIC1 #AE-CD
  IN TIME SIGNATURES1 #AC-AI
  WITH WIND INSTRUMENTS1 #AH-C1
      7#AH,A7
,POLAND1 NATIONAL SIGNS OF1 .VOL4
    #B1 .PAGE #IE

          PERIODS--,POLAND       #IC
POSITION SIGNS 7STRINGS71 #AG-B1
    #AG-H TO #AG-AA1 7#AG,B7
  CHANGE OF POSITION1 #AG-AC TO #AG-
      #AD1 7#AG,B7
  LINES OF CONTINUATION WITH1 #AG-
      #AA1 #AG-BJ
  OCTAVE MARKS FOLLOWING1 #AG-AJ
  PLACEMENT OF1 #AG-H
PRALLTRILLER4 .,SEE SHORT TRILLS
PREFIXES
  FOR ACCORDION MUSIC1 #AI-A1
      #AI-AA1 7#AI,A7
  FOR ADDED SIGNS1 ,A-#F1 7#AD7
  FOR CHORD SYMBOL PART1 #AB-AB1
      7#AB,A7
  CLEF SIGNS AS1 #AG-C
  FOR EDITORIAL MARKINGS1 #AD-AE1
      7#AD7
  FOR FIGURED BASS PART1 7#AB,B7
  FOR LITERARY MATERIAL1 #AD-F1
      7#AD7
  MUSIC1 #AD-E1 7#AD7
    IN TIME SIGNATURES1 #C-AJ
    FOR VOCAL MUSIC1 #AF-C
  FOR PRINT PAGE TURN1 #AD-I1 7#AD7
  FOR PRINT PAGINATION1 #AD-I1 7#AD7
  FOR VOCAL PARTS1 7#AF,A7

  FOR VOCAL TEXT1 #AD-F1 #AF-B1
      7#AD71 7#AF,A7
PRIME 7INTERVAL71 #E-D1 7#E,A7
  AND THE STEM SIGN1 #E-CJ
PRINT BAR LINES1 SPACE INDICATING1
    #A-AB1 #I-A1 7#I,A7
PRINT CODA1 #I-I TO #I-AA1 7#I,B7
PRINT EXAMPLES1 COMPARED WITH
    BRAILLE EXAMPLES1 ,,CN-#C1
    ,,CN-#F
PRINT PAGE TURN1 PREFIX INDICATING1
    #AD-I1 7#AD7
PRINT PAGINATION1 #AD-I TO #AD-AJ
  PREFIX INDICATING1 #AD-I1 7#AD7
PRINT REPEATS1 #I-E TO #I-AC1
    7#I,B7
PRINT SEGNO1 #I-I TO #I-AC1 7#I,B7
PULGAR 7THUMB7 7PLUCKED STRINGS71
    7#H,B7
PUSH 7,V POINTING RIGHT7
    7ACCORDION71 #AI-AB1 7#AI,A7
                 ,Q
QUARTER NOTES1 7#A,A7
  AS TREMOLOS1 7#G,A7
QUARTER REST1 7#A,A7
QUARTER STEM1 7#E,D7

       POSITION--QUARTER STEM    #IE
QUARTER-STEP ALTERATIONS OF PITCH1
    #C-C1 #AC-AF1 7#C,A7
  .,SEE .ALSO ACCIDENTALS
QUASI-NOTES
  SLANTING LINE DESIGNATING1 #AC-I1
      7#AC,A7
  VERTICAL STEMS DESIGNATING1 #AC-H1
      7#AC,A7
QUAVER1 7#A,A7
                 ,R
RASGUEADO 7PLUCKED STRINGS71 #AG-CF
REDOUBLING1 IN BRAILLE MUSIC1 ,A-#H
REGISTER SIGN 7ACCORDION71 7#AI,A7
REGISTRATION
  IN ACCORDION MUSIC1 #AI-F TO #AI-
      #G1 7#AI,B7
  IN ORGAN MUSIC1 #AE-CB TO #AE-CH
REHEARSAL LETTERS1 IN INSTRUMENTAL
    SCORES1 #BJ-E
REPEATS
  BRAILLE1 #I-AD TO #I-EC1 7#I,C7
  DOTTED DOUBLE BAR1 #I-E1 7#I,B7
  FULL-MEASURE1 #I-CC TO #I-DF1
      7#I,C7
  WITH NUANCES1 #AJ-BJ
  AND OCTAVE MARKS1 #I-H
  PART-MEASURE1 #I-AE TO #I-CB1
      7#I,C7
  WITH PIANO PEDALLING1 #AE-BC TO
      #AE-BE
  PRINT1 #I-E TO #I-AC1 7#I,B7
  TIES WITH1 #F-AI1 #I-BF1 #I-CE
  IN VOCAL MUSIC1 #AF-AB TO #AF-AC1
      7#AF,D7
REPETITION-TYPE TREMOLOS1 #G-B TO
    #G-E1 7#G,A7
  DOUBLING THE REPETITION SIGN1 #G-D
  FLUTTER TONGUING AS1 #AC-F1 #AH-AJ
  .,SEE .ALSO ALTERNATION-TYPE
      TREMOLOS
RESTS1 #A-A TO #A-G1 7#A,A7
  BREVIS 7SQUARE71 #A-G
  WITH CHORD SYMBOLS1 #AB-AB
  DOTTED1 #A-B
  IN IN-ACCORD PARTS1 #E-AF
  IN RHYTHMIC GROUPS1 #D-D
REVERSED ACCENT 7HORIZONTAL 8,V0
    POINTING LEFT71 7#AJ7
RHYTHMIC GROUPS1 ,,CN-#D1 #A-AD1
    #D-A TO #D-AB1 7#D7
  DOUBLING OF GROUPING SIGNS1 #D-AA
  END OF1 7#AC,C7
  8FAN-SHAPED01 #AC-AC TO #AC-AD1
      7#AC,C7
  RESTS IN1 #D-D
       QUARTER-STEP--RHYTHMIC    #IG
    7RHYTHMIC GROUPS CONT47
  SEPARATION OF1 #D-H1 #D-AB1
      7#A,A7
  STEADY RHYTHM1 #AC-AD1 7#AC,C7
  WHEN NOT TO USE1 #D-F
RIGHT HAND PART
  IN PIANO AND ORGAN MUSIC1 7#AE,A7
  AND PIANO PEDALLING INDICATIONS1
      #AE-AE
  WHEN INTERVALS READ UP1 #AE-AA1
      7#AE,A7
RIGHT HAND SIGN1 7#AE,A7
  FOR PERCUSSION INSTRUMENTS1
      #AH-AD1 7#AH,B7
  PLACEMENT OF1 #AE-B
RIGHT TOE/HEEL1 IN ORGAN MUSIC1
    #AE-BI1 7#AE,B7
RING FINGER 7ANULAR7 7PLUCKED
    STRINGS71 7#H,B7
RITARDANDO1 WITHIN RHYTHMIC GROUP1
    #AC-AC1 7#AC,C7
ROLLS 7PERCUSSION INSTRUMENTS71
    #G-C1 #AH-AG
ROMAN NUMERALS1 IN HARMONIC
    ANALYSIS1 #AB-BI1 #AB-CA1
    #AB-CF1 7#AB,B7
ROUND BRACKETS4 .,SEE PARENTHESES

ROW SIGN 7ACCORDION71 #AI-B TO
    #AI-C1 #AI-I1 7#AI,A7
,RUSSIA1 NATIONAL SIGNS OF1 .VOL4
    #B1 .PAGE #IE
                 ,S
SECOND 7INTERVAL71 7#E,A7
SECOND ENDING 7VOLTA71 7#I,B7
SECOND FINGER 7KEYBOARD71 7#H,A7
SECOND FINGER 7STRINGS71 7#H,B7
#BND POSITION/FRET 7STRINGS71
    7#AG,B7
SECOND SOPRANO 7VOCAL PART71 PREFIX
    FOR1 7#AF,A7
#BND STRING 7STRINGS71 7#AG,A7
SECTION-BY-SECTION FORMATS
  CHORD SYMBOL PREFIX IN1 #AB-AB
  FIGURED BASS IN1 #AB-BB
  HARMONIC ANALYSIS IN1 #AB-CD TO
      #AB-CE
  SLURS AND TIES IN1 #F-BA TO #F-BD1
      7#F,C7
SEGNO SIGN
  BRAILLE1 #I-AC1 #I-DG TO #I-DI1
      7#I,C7
  PRINT1 #I-I TO #I-AC1 7#I,B7
SEMI-QUAVER1 7#A,A7
SEMIBREVE1 7#A,A7
       RIGHT HAND--SEMIBREVE     #II
SEPARATION OF RHYTHMIC GROUPS SIGN1
    #D-H1 7#A,A7
  WHEN PRINT NUMBERS ARE MISSING1
      #D-AB
SEPARATION OF SIGNS1 IN FIGURED
    BASS1 #AB-BE1 7#AB,B7
SEQUENCE ABBREVIATION1 #I-EB TO
    #I-EC1 7#I,C7
SEVENTH 7INTERVAL71 7#E,A7
SEVENTH CHORDS1 IN ACCORDION MUSIC1
    7#AI,A7
#GTH POSITION/FRET 7STRINGS71
    7#AG,B7
#GTH STRING 7STRINGS71 7#AG,A7
SHARP SIGN1 7#C,A7
  WITH ONE VERTICAL LINE1 #AC-AF
  PLACEMENT OF1 #C-A
  WITH THREE VERTICAL LINES1 #AC-AF
  TONE CLUSTER WITH1 7#AC,B7
SHIFT LINES1 INDICATING CHANGE OF
    POSITION/FRET ON STRING
    INSTRUMENTS1 #AG-AC TO #AG-AD1
    7#AG,B7
SHORT APPOGGIATURAS1 #AA-F TO #AA-H1
    7#AA7
  DOUBLING1 #AA-H
  AND INTERVAL DOUBLING1 #AA-AH
  MODERN NOTATION FOR1 #AC-H
  SLURS FOR1 #F-AB1 7#F,A7
SHORT-FORM WORDS1 IN LITERARY
    PORTIONS1 ,A-#D1 #AD-B
SHORT LINE 7AGOGIC ACCENT71 7#AJ7
SHORT LINE 7LOUR@E71 #AJ-AA1 7#AJ7
SHORT LINE 7TENUTO71 #AJ-AA1 7#AJ7
SHORT SHAKE4 .,SEE SHORT TRILLS
SHORT SLUR
  BEGINNING AND END OF1 7#F,A7
  .,SEE .ALSO SLURS
SHORT TRILLS1 #AA-AC1 7#AA7
  EXTENDED1 #AA-AD1 7#AA7
8SHOULD01 AS USED IN THIS MANUAL1
    ,,CN-#H
SIGNS
  INDEX OF1 .VOL4 #B1 .PAGES #II TO
      #ACF
  TABLES OF1 .VOL4 #C1 .PAGES #A TO
      #DJ
8SIGNS0
  AS USED IN THIS MANUAL1 #A-H
  .,SEE .ALSO BRAILLE SIGNS
8SIM0 7ABBREVIATION71 #AE-I
SINGING4 .,SEE VOCAL MUSIC2 VOCAL
    TEXT
SINGLE-CELL TRIPLET SIGN1 #D-AJ1
    7#D7
      SEPARATION--SINGLE-CELL   #AJA
SINGLE-NOTE TIES1 #F-AC TO #F-AF1
    #F-BB TO #F-BD1 7#F,B71 7#F,C7
  FROM ANOTHER IN-ACCORD1 #F-BA TO
      #F-BC1 7#F,C7
  FROM ANOTHER STAFF1 #F-BA1 #F-BD1
      7#F,C7
  WITH CHORDS1 #F-AE TO #F-AF
  WITH DOTTED NOTES1 #F-AC
  AND FULL-MEASURE REPEATS1 #I-CE
  BETWEEN IN-ACCORD PARTS1 #F-BB1
      7#F,C7
  PLACEMENT OF1 #F-AC
  BETWEEN STAVES1 7#F,C7
  .,SEE .ALSO CHORD TIES
#AFTH NOTES1 7#A,A7
  GROUPING1 #D-A1 #D-B1 #D-E
  AS TREMOLOS1 7#G7
#AFTH REST1 7#A,A7
#AFTH STEM1 7#E,D7
SIXTH 7INTERVAL71 7#E,A7
#FTH POSITION/FRET 7STRINGS71
    7#AG,B7
#FTH STRING 7STRINGS71 7#AG,A7
#FDTH NOTES1 7#A,A7
  AS TREMOLOS1 7#G7
#FDTH REST1 7#A,A7
SLANTING LINES
  DESIGNATING QUASI-NOTES1 #AC-I1
      7#AC,A7
  INDICATING SHORT APPOGGIATURAS1
      #AC-H
8SLUR INTO NOWHERE01 #F-AA1 #AG-CH1
    #AH-AF1 7#F,A7
  .,SEE .ALSO SLURS
SLURS1 #F-A TO #F-AB1 #F-BA1 7#F,A71
    7#F,C7
  ADDED BY AN EDITOR IN PRINT1
      #F-AJ1 #AD-AE1 7#F,A7
  FROM ANOTHER IN-ACCORD PART1 #F-BA
      TO #F-BB1 7#F,C7
  FROM ANOTHER STAFF1 #F-BA1 7#F,C7
  WITH CHORDS1 #F-C1 #F-H1 7#F,A7
  DOUBLED1 #F-G
  WITH 8FROM0 SIGNS1 #F-F1 #F-G1
      #F-BA1 7#F,C7
  AND FULL-MEASURE REPEATS1 #I-CD1
      #I-DA
  GLISSANDO1 #AG-AE1 7#F,A7
  GRACE-NOTE SLUR1 #F-AB1 7#F,A7
  HALF PHRASE1 7#F,A7
  BETWEEN IN-ACCORD PARTS1 #F-A1
      #F-F1 7#F,A71 7#F,C7
  INDICATING CHANGE OF FINGERING1
      #H-B1 7#H,A7

        SINGLE-NOTE--SLURS      #AJC
    7SLURS CONT47
  INTERNATIONAL VARIATIONS IN USAGE
      OF1 #F-A1 #F-H
  NOT COMING FROM A NOTE1 7#F,A7
  NOT ENDING ON A NOTE1 #F-AA1
      7#F,A7
  WITH PART-MEASURE REPEATS1 #I-BA
      TO #I-BE
  PHRASING SLURS
    ON ONE NOTE1 BEGINNING AND END
        OF1 #F-E1 7#F,A7
    OVER MORE THAN FOUR NOTES OR
        CHORDS1 #F-C1 7#F,A7
    OVER NO MORE THAN FOUR NOTES1
        #F-B1 7#F,A7
    IN VOCAL MUSIC1 #AF-G1 7#AF,B7
  IN PRINT1 #F-A1 #F-D
  REFLECTING PRINT GROUPING1 #AC-F
  IN SECTION-BY-SECTION FORMATS1
      #F-BA1 7#F,C7
  FOR SHORT APPOGGIATURAS1 #F-AB1
      7#F,A7
  SHORT SLUR1 BEGINNING AND END OF1
      7#F,A7
  8SLUR INTO NOWHERE01 #F-AA1
      #AG-CH1 #AH-AF1 7#F,A7
  BETWEEN STAVES1 #F-G1 7#F,A71
      7#F,C7
  STEM SIGNS WITH1 #E-CA
  STRAIGHT LINE BETWEEN STAVES1
      #F-I1 7#F,A7
    8ENDING0 SIGN FOR1 #F-I1 7#F,A7
  BETWEEN TWO NOTES OR CHORDS1
      7#F,A7
  TWO SETS OF 7IN PRINT71 #F-D
  IN VOCAL MUSIC1 #AF-A1 #AF-G1
      7#AF,B7
    FOR FOREIGN LANGUAGES1 #AF-I1
        7#AF,B7
    FOR VARIANT VERSES1 #AF-AJ1
        7#AF,B7
  .,SEE .ALSO TIES
SMALL CIRCLE1 IN CHORD SYMBOLS1
    #AB-AD1 7#AB,A7
SMALL CIRCLE BISECTED BY LINE1 IN
    CHORD SYMBOLS1 #AB-AD1 7#AB,A7
SMALL TRIANGLE1 IN CHORD SYMBOLS1
    #AB-AD1 7#AB,A7
SMALL TRIANGLE BISECTED BY LINE1 IN
    CHORD SYMBOLS1 7#AB,A7
SMALL TYPE
  NOTES PRINTED IN1 7#A,A7
    IN FIGURED BASS1 #AB-BF
  VARIANTS PRINTED IN1 #I-EH
  IN VOCAL MUSIC1 #AF-AD
     SMALL CIRCLE--SMALL TYPE   #AJE
SMALLER-VALUES SIGN 7#AFTHS AND
    SMALLER71 #A-D TO #A-F1 #AC-I1
    7#A,A7
SOLO PART 7TO BE ACCOMPANIED71 IN
    KEYBOARD MUSIC1 #AE-E1 7#AE,A7
SOPRANO 7VOCAL PART7
  DIRECTION OF INTERVALS1 #E-A
  PREFIX FOR1 7#AF,A7
SOPRANO CLEF1 7#B7
SPACE
  AND CODA SIGN1 #I-I
  FOLLOWING KEY SIGNATURE1 #C-E
  FOLLOWING TIME SIGNATURE1 #C-G
  AND FULL-MEASURE REPEATS1 #I-CC
  INDICATING PRINT BAR LINES1 #A-AB1
      #I-A1 7#I,A7
  AND SEGNO SIGN1 #I-I1 #I-DH
  SEPARATING CHORD SYMBOLS1 #AB-CB
  SEPARATING KEY SIGNATURE AND TIME
      SIGNATURE1 #C-H
,SPAIN1 NATIONAL SIGNS OF1 .VOL4 #B1
    .PAGE #IF
SPECIAL SIGNS1 NOTES ABOUT1 #AD-B
SPICCATO 7DOT71 #AJ-AA1 7#AJ7
SQUARE 7BREVIS7 REST1 #A-G1 7#A,A7
SQUARE BRACKETS1 #AB-DJ TO #AB-DD1
    7#AB,C7
  ABOVE/BELOW THE STAFF1 #AB-DA1
      7#AB,C7
  DOTTED/DASHED1 #AB-DC1 7#AB,C7
  WITH UNCLEAR ENDING1 #AB-DD1
      7#AB,C7
  VERTICAL1 #AB-DJ1 7#AB,C7
SQUARE 7BREVIS7 REST1 #A-G1 7#A,A7
8SQUARE0-SHAPED FERMATA1 #AC-AG
STACCATISSIMO 7PEAR-SHAPED DOT71
    7#AJ7
STACCATO 7DOT71 7#AJ7
  AND THE BRAILLE BEBUNG1 #AA-BA1
      7#AA7
  DOUBLING WITH IN-ACCORDS1 #AJ-AD
STAFF4 .,SEE STAVES
STANDARD BRAILLE ORDER1 INDEX OF
    SIGNS IN1 .VOL4 #B1 .PAGES #II
    TO #ACF
STAR 7OR OTHER INDICATION FOR
    PEDAL UP71 #AE-AE TO #AE-BJ1
    #AE-BB1 7#AE,A7
  WITH 8,PED40 UNDER ONE NOTE1 #AE-
      #AG1 #AE-BJ1 7#AE,A7
  PLACEMENT OF1 #AE-AH
STAVES
  CHORD TIE BETWEEN1 7#F,C7
  CHORD TIE FROM ANOTHER STAFF1
      #F-BA1 #F-BC1 7#F,C7
      SMALLER-VALUES--STAVES    #AJG
    7STAVES CONT47
  INDICATING CHANGE OF1 #F-BC TO
      #F-BD
  FOR NON-MELODIC PERCUSSION
      INSTRUMENTS1 #AH-AB TO #AH-AC
  SINGLE-NOTE TIE BETWEEN1 7#F,C7
  SINGLE-NOTE TIE FROM ANOTHER
      STAFF1 #F-BA1 #F-BC1 7#F,C7
  SLUR FROM ANOTHER STAFF1 #F-BA1
      7#F,C7
  SLURS BETWEEN1 #F-G1 7#F,A7
  STRAIGHT LINE BETWEEN1 #F-I1
      7#F,A7
STEADY RHYTHM1 #AC-AD1 7#AC,C7
STEMS1 #E-CJ TO #E-CA1 7#E,D7
  DOTTED1 #E-CA
  WITH FIGURED BASS1 #AB-BD
  WITH IN-ACCORDS1 #E-CJ
  MODIFIED BY SLURS1 TIES1 AND
      NUANCES1 #E-CA
  AND THE MUSIC HYPHEN1 #E-CA
  NOTES WITH TWO STEMS OF DIFFERENT
      VALUES1 #E-CJ
  PLACEMENT OF1 #E-CA
  SLASHES THROUGH1 #G-C
  VERTICAL1 #AC-AD
    DESIGNATING QUASI-NOTES1 #AC-H1
        7#AC,A7
STRAIGHT LINE BETWEEN STAVES1 #F-I1
    7#F,A7
  8ENDING0 SIGN FOR1 #F-I1 7#F,A7
STRAIGHT VOICE-LEADING LINE1 #F-I1
    7#F,A7
STRING BASS4 .,SEE BASS 7STRING
    BASS7
STRING INSTRUMENTS1 #AG-A TO #AG-CI1
    7#AG7
  BARR@ES1 #AG-B1 #AG-BH TO #AG-CD1
      7#AG,C7
  BOWED1 #AG-BD TO #AG-BG1 7#AG,D7
  EXAMPLE SCORES1 #BJ-I TO #BJ-AA
  FINGERING1 #H-F TO #H-AA1 7#H,B7
    ALTERNATIVE1 #H-F
    LEFT HAND1 #H-F TO #H-I1 7#H,B7
    RIGHT HAND1 #H-AJ TO #H-AA1
        7#H,B7
  GLISSANDOS1 #AG-AC1 #AG-AE1
      7#AG,B7
  HARMONICS1 #AG-B1 #AG-AF TO
      #AG-BC1 7#AG,D7
  PLUCKED1 #AG-D1 #AG-BH TO #AG-CI1
      7#AG,D7
    FINGERING1 #H-AJ TO #H-AA1
        #AG-CI1 7#H,B7

       STEADY--STRING INSTR4    #AJI
    7STRING INSTRUMENTS CONT47
  POSITION/FRET SIGNS1 #AG-B1 #AG-H
      TO #AG-AA1 7#AG,B7
    SHIFT LINES1 #AG-AC TO #AG-AD1
        7#AG,B7
  STRING SIGNS1 #AG-B1 #AG-E TO
      #AG-G1 #AG-BJ1 7#AG,A7
STRING SIGNS 7STRINGS71 #AG-B1 #AG-E
    TO #AG-G1 #AG-BJ1 7#AG,A7
SUB BASS CLEF1 7#B7
SUSPENSIONS1 LETTERS REPRESENTING1
    IN HARMONIC ANALYSIS1 #AB-CF
SWELLS 7DIVERGING AND CONVERGING
    LINES71 7#AJ7
  DOUBLING1 #AJ-AC
,SWITZERLAND1 NATIONAL SIGNS OF1
    .VOL4 #B1 .PAGES #IJ TO #IC
SYLLABIC SLURS1 IN VOCAL MUSIC1
    #AF-G1 7#AF,B7
SYNCOPATED #HTH NOTES1 #D-G
SYSTEM NUMBERS1 #AD-AC TO #AD-AD
                 ,T
TABLES OF SIGNS1 .VOL4 #C1 .PAGES #A
    TO #DJ
TACTILE BAR LINE1 #I-A1 7#I,A7
8TAPPED-KEY0 NOTES 7FLUTE71 #AC-G
TECHNICAL STUDIES1 SEQUENCE
    ABBREVIATION1 #I-EB TO #I-EC1
    7#I,C7
TEMPO INDICATIONS1 #AD-AH
TEMPORARY DIVISI PARTS1 IN VOCAL
    MUSIC1 #AF-AD
TENOR 7VOCAL PART7
  DIRECTION OF INTERVALS1 #E-A
  IN THE ,G CLEF1 #AF-AG
  PREFIX FOR1 7#AF,A7
TENOR CLEF1 7#B7
8TENT0-SHAPED FERMATA1 #AC-AG
TENTH 7INTERVAL71 #E-C1 7#E,A7
#AJTH POSITION/FRET 7STRINGS71
    7#AG,B7
TENUTO 7SHORT LINE71 #AJ-AA1 7#AJ7
TEXT
  ALIGNING CHORD SYMBOLS WITH1 #AB-G
      TO #AB-I
  PREFIX FOR1 #AD-F1 7#AD7
  WORD SIGN FOR1 #AJ-B TO #AJ-C1
      #AJ-G TO #AJ-AJ1 #AJ-AB1 7#AJ7
  .,SEE .ALSO LITERARY MATERIAL2
      VOCAL TEXT
THEORY NOTATION1 #AB-A TO #AB-DD1
    7#AB7
  INTERNATIONAL AGREEMENTS1 #AB-A
  .,SEE .ALSO HARMONIC ANALYSIS
THIRD 7INTERVAL71 7#E,A7
        STRING SIGNS--THIRD     #AAA
THIRD FINGER 7KEYBOARD71 7#H,A7
THIRD FINGER 7STRINGS71 7#H,B7
#CRD POSITION/FRET 7STRINGS71
    7#AG,B7
#CRD STRING 7STRINGS71 7#AG,A7
#CBND NOTES1 7#A,A7
  GROUPING1 #D-A1 #D-B
  AS TREMOLOS1 7#G7
#CBND REST1 7#A,A7
#CBND STEM1 7#E,D7
THREE-CELL GROUPING SIGNS1 #D-AA
THREE-CELL TRIPLET SIGN1 #D-AJ1 7#D7
THREE-QUARTER STEP ALTERATION OF
    PITCH1 #C-C1 #AC-AF1 7#C,A7
THUMB 7PULGAR7 7PLUCKED STRINGS71
    7#H,B7
THUMB SIGN 7PRINT71 ,A-#I
THUMB SIGN 7STRINGS71 #H-H1 7#H,B7
TIES1 #F-AC TO #F-BJ1 #F-BB TO
    #F-BD1 7#F,B71 7#F,C7
  ACCUMULATING ARPEGGIO1 #F-BJ1
      7#F,B7
  CHORD TIES1 #F-AG TO #F-AH1 #F-BB
      TO #F-BD1 7#F,B71 7#F,C7
  WITH 8FROM0 SIGNS1 #F-BA1 #F-BC1
      7#F,C7
  BETWEEN A NOTE AND ITS INTERVAL1
      #F-BD
  OVER BAR LINES1 NOTES WITH
      ACCIDENTALS1 #F-AD
  IN PRINT1 #F-AC
  WITH REPEATS1 #F-AI1 #I-BF1 #I-CE
  IN SECTION-BY-SECTION FORMATS1
      #F-BB TO #F-BD1 7#F,C7
  SINGLE-NOTE TIES1 #F-AC TO #F-AF1
      #F-BB TO #F-BD1 7#F,B71 7#F,C7
  WITH STEM SIGNS1 #E-CA
  .,SEE .ALSO CHORD TIES2 SINGLE-
      NOTE TIES2 SLURS
TIME OF PERFORMANCE1 #AD-AI
TIME SIGNATURES1 #A-AB1 #C-E TO
    #C-AA1 #AD-AH1 7#C,B7
  IN THE BRAILLE EDITION1 ,,CN-#C
  CHANGE OF1 #C-I
  COMBINED WITH KEY SIGNATURE1 #C-H
  MUSIC WITHOUT1 #AC-F
  NOTES APPEARING IN1 #C-AJ1 #AC-AH
  NUMBER SIGNS IN1 #C-F
  OCTAVE MARK FOLLOWING1 #C-G
  WITH ONE NUMBER1 #C-F1 7#C,B7
  PLUS SIGN IN1 #AC-AI
  AND RHYTHMIC GROUPING1 #D-E
  SPACE FOLLOWING1 #C-G
  WITH TWO NUMBERS1 #C-F1 7#C,B7
  UNUSUAL1 #C-AA1 #AC-AH TO #AC-AI
        THIRD FINGER--TIME      #AAC
    7TIME SIGNATURES CONT47
  IN UPPER-CELL NUMBERS1 #C-F
TITLE PAGES1 #AD-B TO #AD-C
TITLES OF COMPOSITIONS1 #AD-B
TOE/HEEL SIGNS1 IN ORGAN MUSIC1
    #AE-BI1 #AE-CA1 7#AE,B7
TONE-CLUSTER SIGN1 #AC-AJ TO #AC-AA1
    7#AC,B7
TONE CLUSTERS1 #E-BI1 #AC-AJ TO
    #AC-AB1 7#AC,B7
  WITH FLAT SIGN1 7#AC,B7
  WITH NATURAL SIGN1 7#AC,B7
  WITH NO ACCIDENTALS1 7#AC,B7
  WITH SHARP SIGN1 7#AC,B7
TRACKER DOTS1 IN BAR-OVER-BAR
    FORMATS1 #F-G1 #AB-AA
TRANSPOSING WIND INSTRUMENTS1 #AH-F
TREBLE CLEF1 7#B7
  ON THE BASS STAFF1 #B-E
  TENOR PARTS IN1 #AF-AG
  .,SEE .ALSO ,G CLEF
TREBLE PARTS1 ORDER OF PARTS IN
    IN-ACCORDS1 #E-AC
TREBLE STAFF1 BASS CLEF ON1 #B-E
TREMOLOS1 #G-A TO #G-G1 7#G7
  ALTERNATION-TYPE1 #G-F TO #G-G1
      7#G,B7

  REPETITION-TYPE1 #G-B TO #G-E1
      #AC-F1 7#G,A7
TRIANGLE1 IN CHORD SYMBOLS1 7#AB,A7
TRIANGLE-SHAPED NOTE HEADS1 7#AC,A7
TRILLS1 #AA-B TO #AA-E1 #AA-AC1
    7#AA7
  WITH CONTINUATION LINE1 #AA-E
  SHORT1 #AA-AC1 7#AA7
    EXTENDED1 #AA-AD1 7#AA7
  TWO-NOTE1 #AA-D
  VARIANT NAMES FOR1 #AA-B
TRIPLET SIGN1 #D-I TO #D-AJ1 7#D7
TURNS1 #AA-I TO #AA-AA1 7#AA7
  ABOVE OR BELOW A NOTE1 #AA-AJ1
      7#AA7
  INVERTED1 #AA-AA1 7#AA7
  BETWEEN NOTES1 #AA-I1 7#AA7
#ABTH POSITION/FRET 7STRINGS71
    7#AG,B7
#BEFTH NOTES1 PREFIX FOR1 #A-C1
    7#A,A7
                 ,U
8UMBRELLA0-SHAPED FERMATA1 #AC-AG
UNFINISHED MEASURES1 #AD-H1 #AD-AB1
    7#AD7
UNISON 7INTERVAL71 #E-D1 7#E,A7
  AND THE STEM SIGN1 #E-CJ
           TITLE--UNISON        #AAE
,UNITED ,KINGDOM1 NATIONAL SIGNS
    OF1 .VOL4 #B1 .PAGE #IF
,UNITED ,STATES1 NATIONAL SIGNS
    OF1 .VOL4 #B1 .PAGE #ID
UNMEASURED MUSIC1 REPETITION OF
    PASSAGES IN1 #I-CB1 7#I,C7
UP BOW 7BOWED STRINGS71 7#AG,D7
UP STROKE 7PLUCKED STRINGS71 #AG-CE1
    7#AG,D7
UPPER- AND LOWER-CELL NUMBER
    COMBINATIONS1 #AD-AJ TO #AD-AA
UPPER-CELL NUMBERS1 IN TIME
    SIGNATURES1 #C-F
UPPER MORDENT4 .,SEE SHORT TRILLS2
    TRILLS
UPPERCASE LETTERS
  IN CHORD SYMBOLS1 #AB-C
  IN HARMONIC ANALYSIS1 #AB-CA1
      #AB-CE TO #AB-CF1 7#AB,B7
UPPERCASE ROMAN NUMERALS1 IN
    HARMONIC ANALYSIS1 #AB-CA1
    #AB-CF1 7#AB,B7
8USUALLY01 AS USED IN THIS MANUAL1
    ,,CN-#H
                 ,V
VALUES OF NOTES4 .,SEE NOTE VALUES
VARIANT PASSAGES1 #I-ED TO #I-EH1
    7#I,D7
  NUMBERED1 #I-EF1 7#I,D7
  IN SMALL PRINT1 #I-EH
VARIANT SIGN1 #I-EE1 7#I,D7
VERTICAL BRACKET BARR@E 7PLUCKED
    STRINGS71 #AG-BH1 #AG-CC TO
    #AG-CD1 7#AG,C7
VERTICAL BRACKETS1 #AB-DJ1 7#AB,C7
VERTICAL STEMS1 #AC-AD
  DESIGNATING QUASI-NOTES1 #AC-H1
      7#AC,A7
  .,SEE .ALSO STEMS
VIOLA
  ALTO CLEF FOR1 7#B7
  DIRECTION OF INTERVALS1 #E-A1
      #AG-C
VIOLIN1 DIRECTION OF INTERVALS1
    #E-A
VIOLONCELLO1 DIRECTION OF
    INTERVALS1 #E-A1 #AG-C
VOCAL MUSIC1 #AF-A TO #AF-AI1 7#AF7
  ALTERNATIVE NOTES1 #AF-AD
  BREATH SIGNS1 #AF-AA1 7#AF,C7
  CORRELATING VOCAL TEXT WITH1 #AF-
      #B1 #AF-D1 #AF-F TO #AF-AJ
  IN FOREIGN LANGUAGES1 #AF-I
  KEYBOARD ACCOMPANIMENTS1 #AF-AI

        UNITED--VOCAL MUSIC     #AAG
    7VOCAL MUSIC CONT47
  MERGED TEXT SUNG ON ONE NOTE1
      #AF-H1 7#AF,B71 7#AF,D7
  MUSIC PREFIX FOR1 #AF-C
  PERFORMANCE DIRECTIONS1 #AF-E
  PHRASING SIGNS IN1 #AF-G1 7#AF,B7
  PREFIX FOR VOCAL TEXT1 #AD-F1
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  PREFIXES FOR VOCAL PARTS1 7#AF,A7
  REPEATS IN1 #AF-AB TO #AF-AC1
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    FOR FOREIGN LANGUAGES1 #AF-I1
        7#AF,B7
    FOR VARIANT VERSES1 #AF-AJ1
        7#AF,B7
  TEMPORARY DIVISI PARTS1 #AF-AD
  VOCAL RANGE1 #AF-AE
  .,SEE .ALSO VOCAL TEXT
VOCAL TEXT1 #AF-A TO #AF-B
  CORRELATING WITH VOCAL MUSIC1
      #AF-B1 #AF-D1 #AF-F TO #AF-AJ
  HYPHENS BETWEEN SYLLABLES1 #AF-AF
  MERGED TEXT SUNG ON ONE NOTE1
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  PREFIX FOR1 #AD-F1 #AF-B1 7#AD71
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  REPEATS IN1 #AF-AC1 7#AF,D7
  .,SEE .ALSO VOCAL MUSIC
VOICE LEADING1 STRAIGHT LINE
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VOLTA 7FIRST/SECOND ENDING71 7#I,B7
                 ,W
WHOLE NOTES1 7#A,A7
  IN MODERN MUSIC NOTATION1 #AC-E
WHOLE REST1 #A-G1 7#A,A7
WHOLE 8STEM01 7#E,D7
WIND INSTRUMENTS1 #AH-A TO #AH-AJ1
    7#AH,A7
  ACCOMPANIMENTS1 #AH-I
  FAST TONGUING1 #G-C
  TRANSPOSING INSTRUMENTS1 #AH-F
  TWO-NOTE CHORDS1 #AH-G
  UNUSUAL MODERN NOTATION1 #AH-AJ
WITHOUT REGISTER SIGN 7ACCORDION71
    7#AI,A7
WORD SIGN1 #AJ-B TO #AJ-C1 #AJ-G TO
    #AJ-AJ1 #AJ-AB1 7#AJ7
  WITH DYNAMICS1 #AJ-C TO #AJ-D
  WITH PARENTHESES1 #AJ-AJ
                 ,X
X-SHAPED NOTE HEADS1 #AC-G1 7#AC,A7

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        VOCAL TEXT--X-SHAPED    #AAI




























